Showing posts with label lists. Show all posts
Showing posts with label lists. Show all posts

Monday, 22 December 2025

The Seventeenth Annual Westies - review of the year 2025

And so we come to the close of 2025. I realise the blog has been in hiatus for a year now, but next year I'll be starting a monthly newsletter on Substack, so I'll post details of that here when it's live and - more than likely - will be continuing the Westies on there going forward. I'm a man who doesn't like change and the thought of stopping something that's been running for this long feels wrong to me.

Anyway, it's been a year. I finished Book 8 at the start of summer then was part of the team putting in SAP at work and that, quite literally, sucked up almost every moment of my time. As a top tip, if your work says they're putting the system in, quit and find a job somewhere else. To that end, I haven't done much writing but David & I have been busy plotting and planning Book 9 and hopefully I'm going to be starting that in the early part of 2026. Due to publishing timelines, there was nothing published this year - which is the first time that's happened since 2022 - and it feels a bit odd. Next year, fingers crossed, you'll more than likely see two new psychological thrillers from me.

In the meantime, as ever, I've been reading and that means it's now time to indulge in the annual blog custom and remember the good books of 2025.

Once again, it's been a great reading year (though I managed less books than last year), with a nice mix of brand new novels, a lot of books that have languished on my TBR pile for too long, some good second-hand finds (which jumped straight to the top of the pile) along with some welcome re-reads.

My target for the year was to read at least twelve old school horror paperbacks and I more than achieved that - some of them were good, a couple were dire, but some were absolutely brilliant.

As always, the top 20 places were hard fought and, I think, show a nice variety in genre and tone.

So, without further ado, I present the Seventeenth Annual Westies Award - “My Best Fiction Reads Of The Year” - and the top 20 looks like this:

1: Ceremony, by Robert B. Parker
2: Secrets Of The Italian Guesthouse, by Sue Moorcroft (to critique)
3: The Widening Gyre, by Robert B. Park
4: The A Team (The A-Team 1), by Charles Heath
5: The Dead Side Of The Mike, by Simon Brett
6: Valediction, by Robert B. Parker
7:     Some Kind Of Wonderful, by David Bischoff
8: Only Old Bones, by Richard Farren Barber (to critique)
9: Dupe, by Liza Cody
10: Star Wars, by Alan Dean Foster
11: Return Of The Jedi, by James Kahn
12: The Empire Strikes Back, by Donald F. Glut
13: H Is For Homicide, by Sue Grafton
14: Tig's Crime, by T. R. Burch
15: The Plastic Nightmare, by Richard Neely
16: A Catskill Eagle, by Robert B. Parker
17: The Manitou, by Graham Masterton
18: Welcome To The Grave, by Mary McMullen
19: Woe Betide, by Wayne Parkin (to critique)
20: The Glow, by Brooks Stanwood


The Top 10 in non-fiction are:

1: Sonny Boy, by Al Pacino
2: On Writing, by Stephen King
3: Under A Rock, by Chris Stein
4: Stories I Only Tell My Friends, by Rob Lowe
5: Never, by Rick Astley
6: Cinefex 48, by Various
7: The Blues Brothers, by Daniel De Vise
8: The Movie Brats, by Michael Pye & Lynda Myles
9: Inside Out, by Demi Moore
10: The Last Action Heroes, by Nick de Semlyen 


And for the sake of complete-ness (and because I like the idea of sharing titles that some people may not even realise exist), here's my list of vintage paperback horror novels, in order of my appreciation of them:

1: The Manitou, by Graham Masterton
2: The Glow, by Brooks Stanwood
3: The Fungus, by Harry Adam Knight (Hak!)
4: Deadhead, by Shaun Hutson
5: The Unholy, by Michael Falconer Anderson
6: The Funhouse, by Owen West
7: Midnights Lair, by Richard Laymon
8: The Hiss, by Andrew Laurance
9: The Brain Eaters, by Gary Brandner
10: The Sphinx, by Graham Masterton
11: Night Killers, by Richard Lewis
12: Spider Girl, by Peter Lear
13: As Evil Does, by John Tigges
14: The Auctioneer, by Joan Samson
15: Snowman, by Norman Bogner


Stats wise, I've read 75 books - 45 fiction, 10 non-fiction, 8 comics/nostalgia/kids and 12 Three Investigator mysteries.

Of the 63 books, the breakdown is thus:

6 biography
19 horror
4 film-related
3 drama (includes romance)
19 crime/mystery
4 sci-fi
2 nostalgia
7 humour


All of my reviews are posted up at Goodreads here

In case you’re interested, the previous awards are linked to from here:

Tuesday, 31 December 2024

The Sixteenth Annual Westies - review of the year 2024

And so 2024 draws to a close. It's been another up-and-down year for me, what with moving house (nice big study!), breaking my hand just after we moved in (not my smartest move ever), Dude going into his second year at Uni (I still miss him as much as when he first left) and two books published - TO SEE TOO MUCH and the box-set SEASIDE PSYCHOLOGICAL. I've also read a lot.

Which means that it's now time to indulge in the annual blog custom and remember the good books of 2024.

Once again, it's been a great reading year (though I managed ten books fewer than last year), with a nice mix of brand new novels, a lot of books that have languished on my TBR pile for too long, some good second-hand finds (which jumped straight to the top of the pile) along with some welcome re-reads.

My target for the year was to read twelve novelisations and I achieved it - some of them were good, a couple were dire, but some were absolutely brilliant.

As always, the top 20 places were hard fought and, I think, show a nice variety in genre and tone.

So, without further ado, I present the Sixteenth Annual Westies Award - “My Best Fiction Reads Of The Year” - and the top 20 looks like this:


2: E is For Evidence, by Sue Grafton
3: Kill For Me, Kill For You, by Steve Cavanagh
4: Last Night Of Freedom, by Dan Howarth
5: Blacktop Wasteland, by S A Crosby
6: New Blood, by Richard Salem
7: Early Autumn, by Robert B. Parker
8: A Savage Place, by Robert B. Parker
9: French Postcards, by Norma Klein
10: Gregory's Girl, by Gerald Cole
11: Death Walkers, by Gary Brandner
12: One Of The Dead, by Richard Farren Barber
13: Grange Hill Rules O.K.?, by Robert Leeson
14: No Time For Goodbye, by Linwood Barclay
15: Creepers, by David Morrell
16: Han Solo At Stars' End, by Brian Daley
17: Charlie Says, by Neil Williamson
18: The Night Boat, by Robert McCammon
19: The Only Suspect, by Louise Candlish
20: The Shadow Friend, by Alex North


The Top 10 in non-fiction are:

1: Cinema Speculation, by Quentin Tarantino
2: I Am Spock, by Leonard Nimoy
3: The Star Wars Vault, by Stephen J Sansweet
4: Berserker!, by Adrian Edmondson
5: The Devil's Candy, by Julie Salamon
6: Star Trek Memories, by William Shatner
7: The Subtle Art Of Not Giving A F*ck, by Mark Manson
8: Cinefex 42, by Various
9: Cinefex 25, by Various
10: The Killers: Destiny Is Calling Me, by Jarret Keene


Stats wise, I've read 79 books - 46 fiction, 13 non-fiction, 14 comics/nostalgia/kids and 6 Three Investigator mysteries.

Of the 73 books, the breakdown is thus:

4 biography
12 horror
14 film-related
5 drama (includes romance)
24 crime/mystery
4 sci-fi
5 nostalgia
5 humour


All of my reviews are posted up at Goodreads here

In case you’re interested, the previous awards are linked to from here:


Saturday, 30 December 2023

The Fifteenth Annual Westies - review of the year 2023

And so 2023 draws to a close. It's been another up-and-down year for me (Dude left for university in September and I can report that not only is empty-nest syndrome an actual thing, it's also bloody horrible), but it's been creatively satisfying and I've read a lot.

Which means that it's now time to indulge in the annual blog custom and remember the good books of 2023.

Once again, it's been a great reading year for me (one more book than last year, as it happens), with a nice mix of brand new novels, a lot of books that have languished on my TBR pile for too long, some good second-hand finds (which jumped straight to the top of the pile) along with some welcome re-reads.

My target for the year was to read twelve biographies and I achieved it - some of them were good, a couple were dire, but some were absolutely brilliant (Sam Neill and Geena Davis, I'm looking at you).

As always, the top 20 places were hard fought and, I think, show a nice variety in genre and tone.

So, without further ado, I present the Fifteenth Annual Westies Award - “My Best Fiction Reads Of The Year” - and the top 20 looks like this:

1: Double Indemnity, by James M Cain
2: A Love Letter Christmas, by Sue Moorcroft
3: C Is For Corpse, by Sue Grafton
4: Looking For Rachel Wallace, by Robert B Parker
5: It's My Life, by Robert Leeson
6: When You Comin' Back, Range Rider?, by Charles Heath
7: D Is For Deadbeat, by Sue Grafton
8: Point Blank, by Richard Stark
9: The Deep, by Peter Benchley
10: Carnosaur, by Harry Adam Knight
11: Are You Awake?, by Claire McGowan
12: The Night Shift, by Alex Finlay
13: The Burning Girls, by C J Tudor
14: The IT Girl, by Ruth Ware
15: Nightfall, by John Farris
16: Faithless, by John L Williams
17: The Ideal Couple, by Anna Willett
18: Gila!, by Les Simons
19: The Guilty Couple, by C L Taylor
20: Video Night, by Adam Cesare


The Top 10 in non-fiction are:

1: INXS: Story To Story, by Anthony Bozza & INXS
2: Did I Ever Tell You This?, by Sam Neill
3: Dying Of Politeness, by Geena Davis
4 All About Me!, by Mel Brooks
5: We Could Be Heroes, by Paul Burston
6: The Making Of Raiders Of The Lost Ark, by Derek Taylor
7: Blondie, by Fred Shruers
8: England's Dreaming, by John Savage
9: Chasing The Light, by Oliver Stone
10: The Director Should Have Shot You, by Alan Dean Foster


Stats wise, I've read 89 books - 40 fiction, 28 non-fiction, 14 comics/nostalgia/kids and 7 Three Investigator mysteries.

Of the 82 books, the breakdown is thus:

12 biography
10 horror
16 film-related
4 drama (includes romance)
27 crime/mystery
4 sci-fi
0 nostalgia
9 humour

All of my reviews are posted up at Goodreads here

In case you’re interested, the previous awards are linked to from here:


Monday, 19 December 2022

The Fourteenth Annual Westies - review of the year 2022

Well, this really has been a year of extremes for me (losing my Dad and seeing the thrillers take off) but now it's Christmas and even though I'm not in the mindset for celebrating it's time to indulge in the annual blog custom and remember the good books of 2022.

It's been an odd reading year - I've had a couple of DNF (did not finish), which is unusual and  I've struggled on occasion to find material that chimed with me - but I've read the second most amount (87 books) since I began my reading spreadsheet in 2002. There's been a decent mix of brand new novels, a few books that have languished on my TBR pile for too long, some good second-hand finds (which jumped straight to the top of the pile) along with some welcome re-reads and a target to read past Book 30 in the Three Investigators series.

As always, the top 20 places were hard fought and, I think, show a nice variety in genre and tone - if I've blogged about a book before, I've linked to it on the list.

Without further ado, I present the Fourteenth Annual Westies Award - “My Best Fiction Reads Of The Year” - and the top 20 looks like this:

1:    The Tooth Fairy, by Graham Joyce
3:    The Judas Goat, by Robert B. Parker
4:    B Is For Burglar, by Sue Grafton
5:    An Italian Island Summer, by Sue Moorcroft *
6:    God Save The Child, by Robert B. Parker
7:    Han Solo's Revenge, by Brian Daley
8:    Mortal Stakes, by Robert B. Parker
9:    A Is For Alibi, by Sue Grafton
10:  Chasing Spirits, by John Llewellyn Probert
11:  What They Don't Know, by Susan Furlong
12:  Dressed To Kill, by Brian DePalma and Campbell Black
13:  The Mistake I Made, by Paula Daly
14:  Insomnia, by Sarah Pinborough
15:  One Eye Open, by Paul Finch
16:  It's Alive, by Julian David Stone
17:  Billingsgate Shoal, by Rick Boyer
18:  The Lizard's Tail, by Marc Brandel
19:  Step Inside My Soul, by N K Curran (Steven Savile) *
20:  Tron, by Brian Daley

* This will be published in the summer of 2023, I read it to critique


The Top 10 in non-fiction are:

1: The Making Of Star Wars: The Definitive Story, by J. W. Rinzler
2: The Python Years: 1969-1979, by Michael Palin
3: The Definitive Biography Of Billy Joel, by Fred Schruers
4: Up Till Now, by William Shatner
5: Howard Kazanjian: A Producers Life, by J. W. Rinzler/Howard Kazanjian
6: Cinefex 30, by Jody Shay
7: Day Of The Living Me, by Jeff Lieberman
8: Cinefex 29, by Jody Shay
9: Teenage Wasteland: The Slasher Movie Uncut, by J. A. Kerswell
10: The Incredibly Strange Film Book, by Jonathan Ross

Stats wise, I've read 88 books - 45 fiction, 11 non-fiction, 16 comics/nostalgia/kids and 16 Three Investigator mysteries.

Of the 72 books, the breakdown is thus:

4 biography
11 horror
7 film-related
6 drama (includes romance)
26 crime/mystery
8 sci-fi
0 nostalgia
10 humour

All of my reviews are posted up at Goodreads here
In case you’re interested, the previous awards are linked to from here:


Monday, 17 October 2022

The Secret Of Phantom Lake, by William Arden

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...
Collins Hardback First Edition (printed in 1974 and never reprinted), cover art by Roger Hall
"Step carefully and look behind you - mystery and danger await all who follow The Three Investigators to Phantom Lake."

That's Alfred Hitchcock's warning...

Not only do Pete, Bob and Jupiter hunt lakeside phantoms - thy're also haunted by a ghostly gunfighter.  Not to mention a piano at plays itself and a saloonful of poker-playing miners - invisible ones!

Where will the spooky treasure trail to Phantom Lake lead them next?

You have been warned...

Detail from the back cover of the Armada format a paperback,
art by Peter Archer.  There were no internal illustrations
in the UK editions.
The fifth entry in the series by William Arden, pen name for the prolific thriller writer Dennis Lynds  (his fourth, The Mystery Of The Shrinking House, was published just prior in this in 1972 and I wrote about it here), this is as well plotted and paced as all his books.  There’s some action in the Jones Junkyard (including Jupiter using “Plan One!”), but most of the piece takes place at the Gunn estate, which is well observed and described.  With a haunting visit to Cabrillo Island (where Arden really ramps up the atmosphere - it provides the basis of the hardback artwork) and the diverting trip to Powder Gulch (a ghost town which gives the paperback editions their imagery), the book also makes good use of a trip to Santa Barbara (utilising real locations, I was pleased to discover).

The central mystery - was there actually any treasure and where might Gunn have hidden it? - is well put together and the way the boys unlock the clues is nicely played, though I was amazed at all these businesses that just happened to have one-hundred-year-old documents lying around.  Aunt Matilda and Hans have decent sized roles - the latter participating in a few key scenes  - and Arden makes good use of the Christmas period, with the boys helping their parents/guardians put up the decorations and seeing them all over town, while the season adds a chill to the air.

As well written as always, this has some decent set pieces - especially the Santa Barbara and Cabrillo Island sequences - some nice touches of comedy (there’s a bit where Jupiter runs one way, only to see his compatriots coming the other way) and a mention for Ruxton University (where Dr Barrister, who the boys first met in The Mystery Of The Singing Serpent, works).  Although the ending is perhaps wrapped up a bit too quickly for my liking, this is a solid mystery that works well and gives each of the boys their moment to shine.  I would very much recommend it.
Armada format a paperback (printed between 1976 and 1979), cover art by Peter Archer
(cover scan of my copy)
Armada format b paperback (printed between 1980 and 1982), cover art by Peter Archer
(cover scan of my copy)

There were no internal illustrations for the UK edition which is a shame, since some of the set pieces used in the US hardback edition would have been ably served by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

Monday, 31 January 2022

The Mystery Of The Laughing Shadow, by William Arden

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...
Collins Hardback First Edition (printed in 1970 and never reprinted), cover art by Roger Hall
Slowly the massive gate swung open on creaking hinges.  The boys froze.  Suddenly, as if from nowhere, a grotesque, humpbacked shadow towered over them, its head jerking wildly.  Then an evil laugh shattered the night…

A tiny Mexican statue and an ancient message written in blood put The Three Investigators on the track of the priceless Chumash treasure hoard, lost in the mountains for two hundred years.  In a desperate race against time, Jupe, Pete and Bob battle to find the jewels…

illustration from the Collins Hardback edition (there
are no illustrations in the paperbacks).
Jupe & Bob hide from the Yaquali Indians at the
Vegetarian Society House, the sequence right before
the one shown on the format a paperback cover.
Bob Andrews and Pete Crenshaw are on their way home from a day spent in the mountains and, as they pass the old Sandow Estate, hear someone call for help.  After investigating, they find a small gold statuette then see “a tall, twisted, humpbacked shadow with a beaky nose and small jerky head.  It utters a wild, shattering laugh.”  Terrified, they race back to Rocky Beach but when they tell Jupe the next day, they realise neither of them heard exactly the same thing.  When a young Englishman, Ted Sandow, calls at the Junkyard offering Uncle Titus to rummage through some old barns, it seems as though the boys were seen and some people are very keen to get their hands on the statuette - or what was inside it.

The first official entry in the series by William Arden (the pen-name of prolific mystery writer Dennis Lynds) even though he'd already written the excellent The Mystery Of The Moaning Cave (credited to Robert Arthur), this proved the boys were in safe hands, with his assured style working just as well here.

The central concept - the laughing shadow - is a good gimmick but little more than that, similar to how The Mystery Of The Flaming Footprints captures the imagination but doesn’t really sell the story.  This features kidnapped Yaquali Indians, suspicious Englishmen and the long-lost treasure of Magnus Verde, the Chumash Hoard and is great fun.  Arden sets up some decent set pieces and gives the lads different things to do, allowing them to show their strengths all the way through the piece.  As with Moaning Cave, Arden makes great use of the Californian mountains, with plenty of action taking places on hills and in box canyons, creating a wonderful sense of bleakness to them.

Alfred Hitchcock has a decent part to play - setting the boys on the path to finding out about the Chumash Hoard - as do Aunt Matilda and Uncle Titus.  Worthington makes a welcome return and it’s always nice to see Mr Andrews (we even get a cameo from a sleepy Mrs Andrews).  As well written as you'd expect, with some gripping action sequences, this also has a nice line in humour.  One of the key supporting characters, Mr Harris, runs the Rocky Beach Vegetarian Society who operate from a fantastic Gothic house on Las Palmas Street ('It was the last house on the block, located right on the edge of town. The dry brown mountains came straight down to the road on the other side.').  After an incident there, Jupe asks, “Could one one of your assistants have told them?”  “No,” Harris tells him, “they’re old friends and staunch vegetarians.”

Good fun, told with wit and pace, this is very much recommended.
Armada format a paperback (printed between 1973 and 1980), cover art by Peter Archer
(cover scan of my copy)
Armada format b paperback (printed between 1982 and 1984), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall, though they only appeared in the hardback edition for some reason.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

Tuesday, 21 December 2021

The Thirteenth Annual Westies - review of the year 2021

Well, after another odd year, here we are again, gearing up for Christmas and so it's time to indulge in the annual blog custom and remember the good books of 2021.

Once again, it's been a great reading year for me (in fact, I've read more books this year than I have since I began my spreadsheet in 2002) with a nice mixture of brand new novels, a few books that have languished on my TBR pile for too long, some good second-hand finds (which jumped straight to the top of the pile) along with some welcome re-reads.

As always, the top 20 places were hard fought and, I think, show a nice variety in genre and tone - if I've blogged about a book before, I've linked to it on the list.

Without further ado, I present the Thirteenth Annual Westies Award - “My Best Fiction Reads Of The Year” - and the top 20 looks like this:






2:   Season Of Mist, by Paul Finch
3:   Valley Of Lights, by Stephen Gallagher
4:   The Saturday Night Ghost Club, by Craig Davidson
6:   Summer At The French Park Café, by Sue Moorcroft *
7:   Clown In A Cornfield, by Adam Cesare
8:   Of Men And Monsters, by Tom Deady
9:   Don't Turn Around, by Jessica Barry
10: Blow Out, by Neal Williams
11: Reckless, by R J McBrien
13: The Flight, by Julie Clark
14: Driftnet, by Lin Anderson
15: The Other Passenger, by Louise Candlish
16: Murder Most Unladylike, by Robin Stevens
18: Later, by Stephen King
20: The Cottingley Cuckoo, by AJ Elwood

* This will be published in the summer of 2022, I read it to critique


The Top 10 in non-fiction are:

1=: Days & Ages, by Mark Beaumont
3:  The Storyteller, by Dave Grohl
4:  The Bassoon King, by Rainn Wilson
5:  Paperbacks From Hell, by Grady Hendrix
6:  Lonely Boy, by Steve Jones
7:  In The Pleasure Groove, by John Taylor
8:  A Long Time Ago in a Cutting Room Far, Far Away, by Paul Hirsch
9:  Imperfect Hero: Harrison Ford, by Garry Jenkins
10: Star Wars Year By Year, by Lucy Dowling


Stats wise, I’ve read 91 books - 42 fiction, 21 non-fiction, 16 comics/nostalgia/kids and 12 Three Investigator mysteries.

Of the 79 books, the breakdown is thus:

7 biography
20 horror
14 film-related
6 drama (includes romance)
16 crime/mystery
5 sci-fi
2 nostalgia
9 humour

All of my reviews are posted up at Goodreads here

In case you’re interested, the previous awards are linked to from here:

Monday, 15 November 2021

The Mystery Of The Shrinking House, by William Arden

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...
Collins Hardback First Edition (printed in 1973 and never reprinted), cover art by Roger Hall
The Three Investigators followed the winding path.  All at once, a loud chilling scream echoed through the jungle vegetation.  It sounded again - directly in front of them!

Jupiter parted some thick leaves.  In a small clearing crouched a huge spotted cat.

“A leopard!” Jupiter said.  “Run!”

A voice spoke sharply from behind them.

“So!  I’ve caught you.  Don’t try to get away.”

They whirled to see a big, bear-like man.  In his hand was a gleaming spear…

The boys are on a buying trip with Uncle Titus, visiting the home of Professor Carswell and his son Hal, who are looking to sell the few belongings of their recently deceased tenant, Joshua Cameron, who died owing them money.  Cameron was an artist and among his possessions are twenty paintings, all showing his cottage, though it changes size in each one (looked at in order, the cottage appears to shrink, hence the title).  Jupiter thinks he spots someone and the boys end up chasing the intruder through the canyon, though he escapes in a car.  After Uncle Titus has managed to sell all of Cameron’s goods (including the paintings), the boys are contacted by the Countess and her estate manager, Armand Marchal.  It seems she is Cameron’s much younger sister, though they’ve been estranged for a while and she’s keen to have something to remember her brother by.  On the trail of the missing paintings which may - or may not - lead to riches, the boys encounter DeGroot, a mysterious Dutch art dealer and have run ins with Skinny Norris, with more villains popping up as the hunt intensifies.

The fourth book in the series by William Arden (the pen name of thriller writer Dennis Lynds) after a break of two years (he wrote The Mystery Of The Moaning Cave (1968) whilst creator Robert Arthur was still alive, then continued the series with The Mystery Of The Laughing Shadow (1969) and The Secret Of The Crooked Cat (1970)), this is as tightly plotted and well paced as all his books.  Arden makes good use of the canyon and gully around the Carswell property, while Cameron’s cottage is cracking location for some nicely done ‘in peril’ sequences.  There’s also a cleverly constructed ‘locked room’ mystery mid-way through at the studio of artist Maxwell James (who supplies the leopard seen on the paperback art).  Headquarters is used sparingly although, following an uncharacteristic slip by Jupiter, the Junkyard hosts an amusing scene where it’s over-run with local kids trying to help as part of the Ghost-to-Ghost hook-up.

The central mystery - the story behind the paintings and how they might lead to treasure - is well handled, if occasionally dry but having said that, the logic of it works perfectly and it plays out nicely, with Jupe putting the clues together well (and Hitchcock matching him in the deductions later).  The boys all have a clear role to play, the supporting characters are well-rounded and serve a purpose and it’s always fun to have Uncle Titus involved.  The Hitchcock intro is odd though, with the master director suddenly having an attitude similar to the one he had on The Secret Of Terror Castle.

As well written as we’ve come to expect from William Arden, this has some smart set pieces and also what I hope are some nice little in-jokes.  I really want Professor Carswell to be a nod to Night Of The Demon while one of Cameron’s bric-a-brac items was sold to a Mrs Leary who lives on Rojas Street (Rojas was the main villain from The Mystery Of The Silver Spider).  A solid plot, a great sense of location and some nice interplay with the boys, this is an entertaining read that I’d very much recommend.
Armada format a paperback (printed between 1976 and 1979), cover art by Peter Archer
(cover scan of my copy)
Armada format b paperback (printed between 1981 and 1983), cover art by Peter Archer
(cover scan of my copy)

There were no internal illustrations for the UK edition, more's the pity - the US had some and I'd like to have seen Roger Hall's take on them.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

Monday, 12 April 2021

The Mystery Of The Talking Skull, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...
Collins Hardback First Edition (printed in 1970 and never reprinted), cover art by Roger Hall
Excitedly they searched the old chest.  Jupiter was sure they would find a vital clue from the post.  Suddenly Bob exclaimed: "Look!  Under that purple cloth!"  Before them lay a gleaming white skull...

There are surprises for The Three Investigators when they buy an antique trunk.  For its spooky contents lead them on a thrilling treasure hunt - and into the middle of a sinister plot...

illustration from the Collins/Armada editions,
by Roger Hall
The boys meets with Chief Reynolds in his office (the
only time we see him in the whole series, I think)
Jupiter Jones decides to visit an auction and, whilst there, purchases an old trunk for one dollar.  It turns out to have once belonged to a magician named The Great Gulliver, who disappeared in mysterious circumstances (following a bank robbery he was innocently mixed up in) and now his trunk is attracting a lot of interest, from gypsies, fellow conjurors and some unpleasant thugs.  When the boys find the set piece of Gullivers act, a talking skull called Socrates, it leads them to several clues and a race against time to find the stolen money before it is lost forever.

This was the last Three Investigator book written by the series creator Robert Arthur (he passed away in May 1969, the year this was published) and is a fitting tribute to him.  Playing on a similar, smaller canvas as his previous title, The Mystery Of The Screaming Clock, this works well and there’s a nice, nostalgic atmosphere to the whole thing.  It sticks close to home - a lot of the action takes place in the Jones Junkyard - but when the book ventures into Los Angeles, it’s to the more rundown areas of the city (“…everything needed paint and repair.  The few people on the street were quite old.  It seemed to be a street where elderly people with small incomes lived”).  This tinge of melancholy is echoed when the boys are on the trail of the money, with a house “that moves”, where Arthur bemoans the fact that old neighbourhoods are being torn down to make way for yet more freeways.

Characterisation, as ever, is spot on with some good repartee between the boys and it’s nice to see Uncle Titus play a much larger role than usual (Aunt Mathilda’s involved too).  Of the supporting cast, Chief Reynolds has a good part (and a nice counterpoint in his stand-in, Lieutenant Carter, who wants nothing to do with the boys) and the criminal gang - Three-Finger Munger and his associates Leo The Knife and Babyface Benson - are played admirably straight.  There’s also a nice nod to The Secret Of Terror Castle with Zelda the gypsy (though in that book, Zelda was comrade-in-arms to Gypsy Kate).  As with all Arthur stories, the mystery is solid and well-thought out and although there are no Sherlock Holmes references this time, Jupiter does allude to a real book - Lord Chizelrigg's Missing Fortune, by Robert Barr - which is a nice touch.  With a good pace, strong atmosphere and a wonderful use of location, this is a very enjoyable read and I’d highly recommend it.

I like both of the paperback covers Peter Archer produced (different angles of the same scene), particularly because they give us a view of the junkyard which - bearing in mind its importance as a location in the series - is rarely seen in the artwork.
Armada format a paperback (printed between 1973 and 1980), cover art by Peter Archer
(cover scan of my copy)
Armada format b paperback (printed between 1981 and 1983), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

Monday, 21 December 2020

The Twelfth Annual Westies - review of the year 2020


Well it's been an odd year but here we are again, gearing up for Christmas and so it's time to indulge in the annual blog custom and remember the good books of 2020.

Once again, it's been a great reading year for me with a nice mixture of brand new novels, a few books that have languished on my TBR pile for too long, some good second-hand finds (which jumped straight to the top of the pile) along with some welcome re-reads.

As always, the top 20 places were hard fought and, I think, show a nice variety in genre and tone - if I've blogged about a book before, I've linked to it on the list.

Without further ado, I present the Twelth Annual Westies Award - “My Best Fiction Reads Of The Year” - and the top 20 looks like this:







1:   Ormeshadow, by Priya Sharma
2:   Into The River, by Mark Brandi
3:   At Home In The Shadows, by Gary McMahon
4:   Under The Italian Sun, by Sue Moorcroft *
5:   Christmas Wishes, by Sue Moorcroft
6:   13 Minutes, by Sarah Pinborough
7:   The Possession, by Michael Rutger
8:   Here We Are, by Graham Swift
9:   Memory Leak, by Richard Farren Barber **
10: Ascent To Godhood, by Jy Yang
11: The Shadow Friend, by Alex North
12: Strangers, by C. L. Taylor
13: The July Girls, by Phoebe Locke
16: The Survival Of Molly Southbourne, by Tade Thompson
17: Tomorrow Never Dies, by Raymond Benson
18: Dead To Her, by Sarah Pinborough
19: Someone We Know, by Shari Lapena
20: Trust Me, I'm Dead, by Sherryl Clark


* This is Sue's Avon book for next summer, which I read to critique and will be published in May 2021.
** I read this to critique

The Top 10 in non-fiction are:

1:   Halfway To Hollywood: 1980-1988, by Michael Palin
2:   Born Standing Up, by Steve Martin
3:   Face It, by Debbie Harry
4:   Wild And Crazy Guys, by Nick de Semlyen
5:   I Am C-3PO, by Anthony Daniels
6:   Captain's Log: William Shatner's Personal Account of the Making of Star Trek V, by Lisabeth Shatner
7:   The Making Of Taxi Driver, by Geoffrey Macnab
8:   My Squirrel Days, by Ellie Kemper
9:   Cinefex 49, by Mark Cotta Vaz
10: The Art Of The Rise Of Skywalker, by Phil Szostak 


Stats wise, I’ve read 74 books - 41 fiction, 15 non-fiction, 12 comics/nostalgia/kids and 6 Three Investigator mysteries.


Of the 68 books, the breakdown is thus:

6 biography
15 horror
9 film-related
6 drama (includes romance)
16 crime/mystery
7 sci-fi
3 nostalgia
6 humour

All of my reviews are posted up at Goodreads here

In case you’re interested, the previous awards are linked to from here:
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009

Monday, 19 October 2020

The Mystery Of The Silver Spider, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...
Collins Hardback First Edition (printed between 1969 and 1971), cover art by Roger Hall
Desperately The Three Investigators began to climb the rope.  Far below them, the city lights gleamed and the Denzo River swirled dark and swift in the night.  If they gave up now, they all knew what the guards would do to them.  Suddenly, before he could save himself, Bob's hand slipped and he fell backwards...

Jupe, Pete and Bob uncover a sinister plot when they visit Varania.  For evil forces are out to destroy the tiny country's young Prince and seize power.  But when the priceless Silver Spider goes missing, the boys know it's time for a speedy exit - before they end up in the local torture chamber...

illustration from the Collins/Armada editions,
by Roger Hall
On their way from a visit to Alfred Hitchcock (does this literally follow on directly from Fiery Eye?), the boys are almost involved in a car crash which is only averted due to the quick thinking of Worthington.  In the other car is young Prince Djaro, soon to be crowned ruler of the principality of Varania in Europe, who’s visiting the USA.  They boys quickly become friends and Djaro organises for them to spend the day at Disneyland where the lads discover all is not well in the kingdom.  After Djaro invites them to Varania, they’re visited by Bert Young, a US secret service agent, who wants them to help out.  It seems the Regent, Duke Stefan, has plans for Varania that are not only villainous but most definitely do not involve Prince Djaro.

The eighth Three Investigator book written by the series creator Robert Arthur, he has a lot of fun taking the boys out of Southern California and casting them into the kind of small European kingdom that feels a curious mixture of medieval and modern.  Taking full advantage of castles, dungeons, sewers, history and a rebellion, he clearly enjoys himself giving the boys CIA toys to play with (camera radios and mini-recorders) and the set pieces reflect that though I did miss the usual touch of melancholy Arthur often brought to his work.  The Silver Spider of the title is a small piece of sculpture that plays a very big part in both the book and the rituals of Varania and its disappearance drives the plot, while the resolution of it is very well played.

Characterisation, as always, is spot on and the boys have a good repartee, while Jupiter shows he perfectly understands how he’s sometimes perceived (but thankfully is okay with it) - “I don’t suppose you can call me exactly typical because some people think I’m conceited and use too many long words and sometimes get myself pretty well disliked.  But I can’t seem to change”.  Bob also has a decent part to play, with a couple of bumps to the head and a nice call-back to his injured leg.  There’s a larger supporting cast than usual, so those characters are painted in broader brushstrokes - Djaro, Rudy and Elena, who help them escape - while the villain of the piece, Duke Stefan, is quickly shown to be terrible with a great scene set in a torture chamber (and his plot is intriguingly dastardly).  The set pieces are all action - shinning up and down ropes, boating through cellars, chasing across squares and into church - and very well written with great pace.  A complaint might be that, on occasion, the boys feel like passengers in the adventure as their new friends organise escapes but having said that, it's Bob who hides the Silver Spider and Jupe who figures out how to call attention to Duke Stefan's scheming, so it balances out.  As an aside, at the accident, the boys had “just been to Hollywood to call on Alfred Hitchcock and give him the facts of their latest adventure” so does this happen directly after The Mystery Of The Fiery Eye?  With a cracking pace, an excellent sense of location and some great character work, I thoroughly enjoyed my read and would highly recommend the book.
Armada format a paperback (printed between 1972 and 1980), cover art by Peter Archer
(cover scan of my copy)
Armada format b paperback (printed in 1982 and never reprinted), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)