The Secret Of Phantom Lake, by William Arden

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed in 1974 and never reprinted), cover art by Roger Hall

"Step carefully and look behind you - mystery and danger await all who follow The Three Investigators to Phantom Lake."

That's Alfred Hitchcock's warning...

Not only do Pete, Bob and Jupiter hunt lakeside phantoms - thy're also haunted by a ghostly gunfighter.  Not to mention a piano at plays itself and a saloonful of poker-playing miners - invisible ones!

Where will the spooky treasure trail to Phantom Lake lead them next?

You have been warned...

Detail from the back cover of the Armada format a paperback,
art by Peter Archer.  There were no internal illustrations
in the UK editions.

The fifth entry in the series by William Arden, pen name for the prolific thriller writer Dennis Lynds  (his fourth, The Mystery Of The Shrinking House, was published just prior in this in 1972 and I wrote about it here), this is as well plotted and paced as all his books.  There’s some action in the Jones Junkyard (including Jupiter using “Plan One!”), but most of the piece takes place at the Gunn estate, which is well observed and described.  With a haunting visit to Cabrillo Island (where Arden really ramps up the atmosphere - it provides the basis of the hardback artwork) and the diverting trip to Powder Gulch (a ghost town which gives the paperback editions their imagery), the book also makes good use of a trip to Santa Barbara (utilising real locations, I was pleased to discover).

The central mystery - was there actually any treasure and where might Gunn have hidden it? - is well put together and the way the boys unlock the clues is nicely played, though I was amazed at all these businesses that just happened to have one-hundred-year-old documents lying around.  Aunt Matilda and Hans have decent sized roles - the latter participating in a few key scenes  - and Arden makes good use of the Christmas period, with the boys helping their parents/guardians put up the decorations and seeing them all over town, while the season adds a chill to the air.

As well written as always, this has some decent set pieces - especially the Santa Barbara and Cabrillo Island sequences - some nice touches of comedy (there’s a bit where Jupiter runs one way, only to see his compatriots coming the other way) and a mention for Ruxton University (where Dr Barrister, who the boys first met in The Mystery Of The Singing Serpent, works).  Although the ending is perhaps wrapped up a bit too quickly for my liking, this is a solid mystery that works well and gives each of the boys their moment to shine.  I would very much recommend it.

Armada format a paperback (printed between 1976 and 1979), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1980 and 1982), cover art by Peter Archer
(cover scan of my copy)

There were no internal illustrations for the UK edition which is a shame, since some of the set pieces used in the US hardback edition would have been ably served by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of The Laughing Shadow, by William Arden

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed in 1970 and never reprinted), cover art by Roger Hall

Slowly the massive gate swung open on creaking hinges.  The boys froze.  Suddenly, as if from nowhere, a grotesque, humpbacked shadow towered over them, its head jerking wildly.  Then an evil laugh shattered the night…

A tiny Mexican statue and an ancient message written in blood put The Three Investigators on the track of the priceless Chumash treasure hoard, lost in the mountains for two hundred years.  In a desperate race against time, Jupe, Pete and Bob battle to find the jewels…

illustration from the Collins Hardback edition (there
are no illustrations in the paperbacks).
Jupe & Bob hide from the Yaquali Indians at the
Vegetarian Society House, the sequence right before
the one shown on the format a paperback cover.

Bob Andrews and Pete Crenshaw are on their way home from a day spent in the mountains and, as they pass the old Sandow Estate, hear someone call for help.  After investigating, they find a small gold statuette then see “a tall, twisted, humpbacked shadow with a beaky nose and small jerky head.  It utters a wild, shattering laugh.”  Terrified, they race back to Rocky Beach but when they tell Jupe the next day, they realise neither of them heard exactly the same thing.  When a young Englishman, Ted Sandow, calls at the Junkyard offering Uncle Titus to rummage through some old barns, it seems as though the boys were seen and some people are very keen to get their hands on the statuette - or what was inside it.

The first official entry in the series by William Arden (the pen-name of prolific mystery writer Dennis Lynds) even though he'd already written the excellent The Mystery Of The Moaning Cave (credited to Robert Arthur), this proved the boys were in safe hands, with his assured style working just as well here.

The central concept - the laughing shadow - is a good gimmick but little more than that, similar to how The Mystery Of The Flaming Footprints captures the imagination but doesn’t really sell the story.  This features kidnapped Yaquali Indians, suspicious Englishmen and the long-lost treasure of Magnus Verde, the Chumash Hoard and is great fun.  Arden sets up some decent set pieces and gives the lads different things to do, allowing them to show their strengths all the way through the piece.  As with Moaning Cave, Arden makes great use of the Californian mountains, with plenty of action taking places on hills and in box canyons, creating a wonderful sense of bleakness to them.

Alfred Hitchcock has a decent part to play - setting the boys on the path to finding out about the Chumash Hoard - as do Aunt Matilda and Uncle Titus.  Worthington makes a welcome return and it’s always nice to see Mr Andrews (we even get a cameo from a sleepy Mrs Andrews).  As well written as you'd expect, with some gripping action sequences, this also has a nice line in humour.  One of the key supporting characters, Mr Harris, runs the Rocky Beach Vegetarian Society who operate from a fantastic Gothic house on Las Palmas Street ('It was the last house on the block, located right on the edge of town. The dry brown mountains came straight down to the road on the other side.').  After an incident there, Jupe asks, “Could one one of your assistants have told them?”  “No,” Harris tells him, “they’re old friends and staunch vegetarians.”

Good fun, told with wit and pace, this is very much recommended.

Armada format a paperback (printed between 1973 and 1980), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1982 and 1984), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall, though they only appeared in the hardback edition for some reason.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of The Shrinking House, by William Arden

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed in 1973 and never reprinted), cover art by Roger Hall

The Three Investigators followed the winding path.  All at once, a loud chilling scream echoed through the jungle vegetation.  It sounded again - directly in front of them!

Jupiter parted some thick leaves.  In a small clearing crouched a huge spotted cat.

“A leopard!” Jupiter said.  “Run!”

A voice spoke sharply from behind them.

“So!  I’ve caught you.  Don’t try to get away.”

They whirled to see a big, bear-like man.  In his hand was a gleaming spear…

The boys are on a buying trip with Uncle Titus, visiting the home of Professor Carswell and his son Hal, who are looking to sell the few belongings of their recently deceased tenant, Joshua Cameron, who died owing them money.  Cameron was an artist and among his possessions are twenty paintings, all showing his cottage, though it changes size in each one (looked at in order, the cottage appears to shrink, hence the title).  Jupiter thinks he spots someone and the boys end up chasing the intruder through the canyon, though he escapes in a car.  After Uncle Titus has managed to sell all of Cameron’s goods (including the paintings), the boys are contacted by the Countess and her estate manager, Armand Marchal.  It seems she is Cameron’s much younger sister, though they’ve been estranged for a while and she’s keen to have something to remember her brother by.  On the trail of the missing paintings which may - or may not - lead to riches, the boys encounter DeGroot, a mysterious Dutch art dealer and have run ins with Skinny Norris, with more villains popping up as the hunt intensifies.

The fourth book in the series by William Arden (the pen name of thriller writer Dennis Lynds) after a break of two years (he wrote The Mystery Of The Moaning Cave (1968) whilst creator Robert Arthur was still alive, then continued the series with The Mystery Of The Laughing Shadow (1969) and The Secret Of The Crooked Cat (1970)), this is as tightly plotted and well paced as all his books.  Arden makes good use of the canyon and gully around the Carswell property, while Cameron’s cottage is cracking location for some nicely done ‘in peril’ sequences.  There’s also a cleverly constructed ‘locked room’ mystery mid-way through at the studio of artist Maxwell James (who supplies the leopard seen on the paperback art).  Headquarters is used sparingly although, following an uncharacteristic slip by Jupiter, the Junkyard hosts an amusing scene where it’s over-run with local kids trying to help as part of the Ghost-to-Ghost hook-up.

The central mystery - the story behind the paintings and how they might lead to treasure - is well handled, if occasionally dry but having said that, the logic of it works perfectly and it plays out nicely, with Jupe putting the clues together well (and Hitchcock matching him in the deductions later).  The boys all have a clear role to play, the supporting characters are well-rounded and serve a purpose and it’s always fun to have Uncle Titus involved.  The Hitchcock intro is odd though, with the master director suddenly having an attitude similar to the one he had on The Secret Of Terror Castle.

As well written as we’ve come to expect from William Arden, this has some smart set pieces and also what I hope are some nice little in-jokes.  I really want Professor Carswell to be a nod to Night Of The Demon while one of Cameron’s bric-a-brac items was sold to a Mrs Leary who lives on Rojas Street (Rojas was the main villain from The Mystery Of The Silver Spider).  A solid plot, a great sense of location and some nice interplay with the boys, this is an entertaining read that I’d very much recommend.

Armada format a paperback (printed between 1976 and 1979), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1981 and 1983), cover art by Peter Archer
(cover scan of my copy)

There were no internal illustrations for the UK edition, more's the pity - the US had some and I'd like to have seen Roger Hall's take on them.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of The Talking Skull, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed in 1970 and never reprinted), cover art by Roger Hall

Excitedly they searched the old chest.  Jupiter was sure they would find a vital clue from the post.  Suddenly Bob exclaimed: "Look!  Under that purple cloth!"  Before them lay a gleaming white skull...

There are surprises for The Three Investigators when they buy an antique trunk.  For its spooky contents lead them on a thrilling treasure hunt - and into the middle of a sinister plot...

illustration from the Collins/Armada editions,
by Roger Hall
The boys meets with Chief Reynolds in his office (the
only time we see him in the whole series, I think)

Jupiter Jones decides to visit an auction and, whilst there, purchases an old trunk for one dollar.  It turns out to have once belonged to a magician named The Great Gulliver, who disappeared in mysterious circumstances (following a bank robbery he was innocently mixed up in) and now his trunk is attracting a lot of interest, from gypsies, fellow conjurors and some unpleasant thugs.  When the boys find the set piece of Gullivers act, a talking skull called Socrates, it leads them to several clues and a race against time to find the stolen money before it is lost forever.

This was the last Three Investigator book written by the series creator Robert Arthur (he passed away in May 1969, the year this was published) and is a fitting tribute to him.  Playing on a similar, smaller canvas as his previous title, The Mystery Of The Screaming Clock, this works well and there’s a nice, nostalgic atmosphere to the whole thing.  It sticks close to home - a lot of the action takes place in the Jones Junkyard - but when the book ventures into Los Angeles, it’s to the more rundown areas of the city (“…everything needed paint and repair.  The few people on the street were quite old.  It seemed to be a street where elderly people with small incomes lived”).  This tinge of melancholy is echoed when the boys are on the trail of the money, with a house “that moves”, where Arthur bemoans the fact that old neighbourhoods are being torn down to make way for yet more freeways.

Characterisation, as ever, is spot on with some good repartee between the boys and it’s nice to see Uncle Titus play a much larger role than usual (Aunt Mathilda’s involved too).  Of the supporting cast, Chief Reynolds has a good part (and a nice counterpoint in his stand-in, Lieutenant Carter, who wants nothing to do with the boys) and the criminal gang - Three-Finger Munger and his associates Leo The Knife and Babyface Benson - are played admirably straight.  There’s also a nice nod to The Secret Of Terror Castle with Zelda the gypsy (though in that book, Zelda was comrade-in-arms to Gypsy Kate).  As with all Arthur stories, the mystery is solid and well-thought out and although there are no Sherlock Holmes references this time, Jupiter does allude to a real book - Lord Chizelrigg's Missing Fortune, by Robert Barr - which is a nice touch.  With a good pace, strong atmosphere and a wonderful use of location, this is a very enjoyable read and I’d highly recommend it.

I like both of the paperback covers Peter Archer produced (different angles of the same scene), particularly because they give us a view of the junkyard which - bearing in mind its importance as a location in the series - is rarely seen in the artwork.

Armada format a paperback (printed between 1973 and 1980), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1981 and 1983), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of The Silver Spider, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed between 1969 and 1971), cover art by Roger Hall

Desperately The Three Investigators began to climb the rope.  Far below them, the city lights gleamed and the Denzo River swirled dark and swift in the night.  If they gave up now, they all knew what the guards would do to them.  Suddenly, before he could save himself, Bob's hand slipped and he fell backwards...

Jupe, Pete and Bob uncover a sinister plot when they visit Varania.  For evil forces are out to destroy the tiny country's young Prince and seize power.  But when the priceless Silver Spider goes missing, the boys know it's time for a speedy exit - before they end up in the local torture chamber...

illustration from the Collins/Armada editions,
by Roger Hall

On their way from a visit to Alfred Hitchcock (does this literally follow on directly from Fiery Eye?), the boys are almost involved in a car crash which is only averted due to the quick thinking of Worthington.  In the other car is young Prince Djaro, soon to be crowned ruler of the principality of Varania in Europe, who’s visiting the USA.  They boys quickly become friends and Djaro organises for them to spend the day at Disneyland where the lads discover all is not well in the kingdom.  After Djaro invites them to Varania, they’re visited by Bert Young, a US secret service agent, who wants them to help out.  It seems the Regent, Duke Stefan, has plans for Varania that are not only villainous but most definitely do not involve Prince Djaro.

The eighth Three Investigator book written by the series creator Robert Arthur, he has a lot of fun taking the boys out of Southern California and casting them into the kind of small European kingdom that feels a curious mixture of medieval and modern.  Taking full advantage of castles, dungeons, sewers, history and a rebellion, he clearly enjoys himself giving the boys CIA toys to play with (camera radios and mini-recorders) and the set pieces reflect that though I did miss the usual touch of melancholy Arthur often brought to his work.  The Silver Spider of the title is a small piece of sculpture that plays a very big part in both the book and the rituals of Varania and its disappearance drives the plot, while the resolution of it is very well played.

Characterisation, as always, is spot on and the boys have a good repartee, while Jupiter shows he perfectly understands how he’s sometimes perceived (but thankfully is okay with it) - “I don’t suppose you can call me exactly typical because some people think I’m conceited and use too many long words and sometimes get myself pretty well disliked.  But I can’t seem to change”.  Bob also has a decent part to play, with a couple of bumps to the head and a nice call-back to his injured leg.  There’s a larger supporting cast than usual, so those characters are painted in broader brushstrokes - Djaro, Rudy and Elena, who help them escape - while the villain of the piece, Duke Stefan, is quickly shown to be terrible with a great scene set in a torture chamber (and his plot is intriguingly dastardly).  The set pieces are all action - shinning up and down ropes, boating through cellars, chasing across squares and into church - and very well written with great pace.  A complaint might be that, on occasion, the boys feel like passengers in the adventure as their new friends organise escapes but having said that, it's Bob who hides the Silver Spider and Jupe who figures out how to call attention to Duke Stefan's scheming, so it balances out.  As an aside, at the accident, the boys had “just been to Hollywood to call on Alfred Hitchcock and give him the facts of their latest adventure” so does this happen directly after The Mystery Of The Fiery Eye?  With a cracking pace, an excellent sense of location and some great character work, I thoroughly enjoyed my read and would highly recommend the book.

Armada format a paperback (printed between 1972 and 1980), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed in 1982 and never reprinted), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of The Fiery Eye, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed between 1969 and 1971), cover art by Roger Hall

The Black Moustache Gang are after ‘The Fiery Eye’.  So are the Three Investigators and they manage to outwit the thieves, or so they think...  

But when Jupe holds the gem at last, four gunmen emerge from the darkness!  Black Moustache has caught up again...

illustration from the
Collins/Armada editions, by Roger Hall

At the suggestion of Alfred Hitchcock, The Three Investigators agree to help English lad August August (who’s called Gus by his friends) try and crack the riddle he’s been left by his great Uncle Horatio August.  Horatio (who Gus never met) went sailing on a ship to the South Seas and wasn’t seen again but now a lawyer has been in touch with the family, to pass on a letter he left for his great nephew.  As they try to figure out the riddle - it’s a race against time, since Horatio’s old house is being knocked down - the boys come into contact with ‘Three Dots’, Rama Sidri Rhandur of Pleshiwar in India and his sword cane, who is searching for The Fiery Eye, a fabulous ruby that was stolen from his temple.  They also come into contact with the Black Moustache gang, who appear to be on the trail of the jewel themselves.

This is the seventh book in the series by Robert Arthur and features the pay-off for the use of the Rolls Royce (“thirty days of twenty-four hours each”) which was set up in The Secret Of Terror Castle.  Pete points out that “the thirty days ran out while we were back East tangling with the mystery of Skeleton Island”, which means that the first six books took place in the space of a month!  The dilemma stumps the boys for a while but the resolution, mentioned in several of the books after this but not in detail, is nicely played.  In further continuity, there’s also mention of Blackbeard, who still appears to be in his cage in Headquarters.  The central mystery is convincing - Arthur wrote a good riddle - and the processes of detection are smartly made, with a couple of decent twists along the way.  Bob ends up at the library a couple of times, cutting him off from the action but he does end up discovering some clues and his Dad also helps out again.

Although a lot of the book takes place at The Jones Junkyard, it also encompasses Hollywood and Dial Canyon, just north of the city, which is atmospherically described and well used, especially after dark.  The book also briefly features a young called Liz Logan, who is desperate to be an investigator and thrilled to meet Bob.  Arthur clearly has fun writing her and, in an interview, his daughter Elizabeth confirmed that Liz is based on her.  I wish we’d seen more of Miss Logan, she certainly shows potential here.

The characterisation is as strong as ever from Arthur, with the menacing Three Dots balancing up the rougher Black Moustache gang (their horn-rimmed glasses and fake moustaches are pretty silly disguises) who are barely distinguishable other than by name.  The boys enjoy some good interplay, though with less humour than usual, Hans & Konrad have decent parts, but we get an ‘Alfred Hitchcock Speaking’ end chapter, rather than the normal meeting, which doesn’t work so well.  The book does, however, allow Arthur to show his appreciation of Sir Arthur Conan Doyle (Horatio apparently met him as a young man) and the plot pays homage to The Adventure Of The Six Napoleons, which Jupiter mentions.  Well constructed, with some great set pieces (Jupe and his chair, especially), this is a great read and I’d highly recommend it.

Armada format a paperback (printed between 1971 and 1979), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1981 and 1984), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Secret Of Skeleton Island, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed between 1968 and 1970), cover art by Roger Hall

The Three Investigators are thrilled when they are invited to star as frogmen in an underwater film - especially as it means a trip to lonely Skeleton Island!

But Jupiter, Pete and Bob soon discover that the island's past hides a sinister secret.  Danger awaits them in the mysterious ocean depths, for the sea-bed is rich not only in fish - but in sunken treasure!

illustration from the Collins/Armada editions,
 by Roger Hall
Sally Farrington tries to complete her turn
on the carousel

Alfred Hitchcock enlists the boys help to travel to Atlantic Bay, on the East Coast, where a production company is having problems finishing off the film they’re working on.  Pete’s dad, a special effects technician, is leading a team on Skeleton Island who are trying to rebuild parts of a long abandoned amusement park, where the climax of the film will take place.  The boys hit trouble as soon as they arrive, stranded on a smaller nearby island called The Hand and, once on the mainland, discover that nothing is quite what it seems.  The local community, suffering with the recent loss of their oyster fishing economy, is struggling and the production company is having problems with theft and treasure hunters.  Then, as Jupiter and the boys delve further, the ghost of a local girl is seen riding a derelict carousel.

The sixth book in the series, this is the first to take place away from Rocky Beach and gets a mention in The Mystery Of The Fiery Eye when, discussing the use of the Rolls, Pete says, “the thirty days ran out while we were back East tangling with the mystery of Skeleton Island”.  By extension, of course, this assumes the events of Skeleton Island take place thirty days after the boys investigate Terror Castle, which made for a very exciting month!  With the relocation there’s no mention of Headquarters and it’s some way into the book before Jupiter gets to show someone the card but Arthur works all this in well, making the disorientation a key part of the first set piece, as the boys are stranded on The Hand group of reefs.

The locations are well realised, from Skeleton Island (which doesn’t feature as much as you’d expect it to) to Fishingport, the town on the mainland where the boys B&B is located.  The Hand is an inspired creation and features a gripping set piece later in the book, a sequence in the underwater cave that is an exercise in tension and suspense.

The use of Fishingport allows Arthur some flashes of social comment, a sad and depressed fishing village decimated by “some tiny red parasite” that has “got into the oysters in this part of the bay”.  Many townsfolk are desperate to find the treasure Captain One-Ear dumped off the island in 1717 as the British closed in on him and one of them is Chris, a young Greek boy who befriends the lads.  Seeking the treasure to raise enough so his sick father can go home for treatment, he’s badly treated by almost every adult in the story - apart from the police chief - but doesn’t let it deter him and he plays a key part in the plot.

Characterisation, as always with Arthur, is very good indeed with the boys all getting a chance to shine, especially Bob and Pete when Jupe is laid low by a cold.  While some of the supporting cast are merely brushstrokes, the stress of the adults - both in the town and on the film - comes out in the dialogue, with most of them (including Mr Crenshaw at times) being generally dismissive of the boys.  Chris is likeable and well-realised, making us root for him before we properly find out the truth of his situation and what the true secret of the island actually is.  And then, of course, there’s the excellent Sally Farrington, forever trying to finish her ride on the carousel, a spooky image (that terrified my sister & I back in 1978) well used in the story and superbly captured by Roger Hall’s illustration.

The Secret Of Skeleton Island is special to me in that, as I wrote about here, it was the book that introduced me to the series (I still have that now-very-beaten-up hardback edition) and was also the final piece of my search to get the first thirty Armada books in format b (as I wrote about here).  With a good pace, suspenseful set pieces and a terrific use of location, this is a cracking read and I highly recommend it.

Armada format a paperback (printed between 1970 and 1979 ), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1981 and 1983), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of The Stuttering Parrot, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed between 1967 and 1971), cover art by Ed Vebell

When eccentric Mr. Silver dies he leaves an extraordinary mystery for The Three Investigators to puzzle out.  A priceless masterpiece has disappeared, and the only clues to its hiding-place lie with seven parrots - who refuse to talk!  

Worse still, Huganay, the international art thief, is hot on the same trail...

illustration from the
Collins/Armada editions, by Roger Hall

At the behest of Alfred Hitchcock (as described at the end of The Secret Of Terror Castle), The Three Investigators are engaged to find the missing parrot of Malcolm Fentriss, an old actor friend of the directors.  Very quickly, they discover that trying to locate Billy Shakespeare - the missing parrot - is going to be a lot more difficult than they originally thought, since it seems to be part of a riddle to find a lost treasure.  Hindered along the way by sinister fat man art dealer Claude Claudius and the international art thief (and gentleman criminal) Huganay, the boys must use all their ingenuity to keep one step ahead, find the lost parrot and uncover the clues to “a piece off the end of the rainbow, with a pot of gold underneath it.”

The second book in the series by Robert Arthur, this was published simultaneously with Terror Castle and, quite literally, follows on directly from it.  With a good, solid opening (as Jupe and Pete make their way through the overgrown garden of Mr Fentriss’ old house) and a decent central mystery, this works well as the plot twists and turns on itself.  The clues and parrots are, essentially, the macguffin (tying in nicely with Hitchcock and Arthur, who edited his anthologies) but the boys’ detective skills are well observed and nicely believable.  Jupiter is a bit more sociable than he was in the first book and, once again, Bob gets waylaid with his job at the library but there’s a nice early appearance by his Dad who, as usual, helps out with one of the clues.

Most of the action takes place in Hollywood, rather than Rocky Beach (though Headquarters features strongly) and the various houses and streets are well used and described.  The climax takes place in an abandoned graveyard in Merita Valley which, coated in coastal fog, makes a terrific location for a great set piece.  The book also features the first use of the Ghost-to-Ghost Hook-up and the term “ramble and scramble”, though I think the latter is used for a slightly different purpose in future stories.

The characterisation is as strong as you would expect from Arthur, both Mr Claudius and Huganay in particular (the latter’s parting comments to Jupiter hint at a mutual respect that would re-surface in The Mystery Of The Screaming Clock and it’s a shame the character wasn’t used by any of the other series writers).  Skinny Norris makes another appearance and Carlos, the little Mexican boy who helps the trio is a sparky, feisty highlight (while it’s mentioned that he later lives with the Joneses he doesn’t appear in any of the other books).  Also typical of Arthur, there’s some great descriptive writing (on approaching the old house: “That isn’t a house I want to approach,” Pete told him.  “It looks like a house full of locked rooms that shouldn’t be opened”) and, combined with the excellent set pieces and nice touches of humour, this is a great read that I’d very much recommend.

Armada format a paperback (printed between 1971 and 1979), cover art by Peter Archer
(cover scan of my copy)

Armada format b paperback (printed between 1980 and 1984), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Secret Of Terror Castle, by Robert Arthur

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

Following this, I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews of them but, as if often the way, it didn't quite work out like that.  Happily, this is on-going and so here's an additional review...

Collins Hardback First Edition (printed between 1967 and 1970), cover art by Roger Hall

This is the Three Investigators' business card - and their first assignment is to investigate a haunted house for that Master Of Mystery, Alfred Hitchcock.  But Terror Castle, looming through the mists of Black Canyon, turns out to have more than its fair share of spooks...

Illustration from the Collins/Armada
editions, by Roger Hall

When Jupiter Jones wins the use “of a Rolls-Royce sedan for thirty days of twenty-four hours each", he and his friends Pete Crenshaw and Bob Andrews decide to set up the investigation agency they’ve been discussing.  Jupiter even has their first case - finding a genuine haunted house for Alfred Hitchcock.  After tricking their way into his bungalow on the studio lot, Hitchcock agrees to introducing the case (“the promise was extorted from me by nothing less than sheer skulduggery”) and the boys begin to investigate Terror Castle, once the home of famed silent movie star Stephen Terrill.  Located in the narrow Black Canyon, above Hollywood, the boys soon discover that something definitely haunts Terror Castle and they must experience the Blue Phantom, the fog of fear and feelings of extreme terror to find out what it is.

This is the first Three Investigators book, created and written by Robert Arthur and does a fantastic job of setting the template that the rest of the books in the series would adhere to so successfully.  Hitchcock calls Jupiter Jones “insufferable” in the introduction and some of the rougher edges to his character would be smoothed down over the next couple of books but the repartee between him, Pete and Bob is pitch perfect.  Their conversation is smart and often humorous, the action scenes are well handled and only Bob comes out of it slightly short-changed, since he’s away working in the library for a lot of the time (though he & Pete explore the castle during daylight in a wonderfully tense sequence).

Terror Castle is a well-used and described location, spooky and gloomy and well captured in the boys various explorations of it and the natural formation of Black Canyon plays an important part in the plot.  Characterisation is brisk and thorough - Worthington is excellent - and Aunt Mathilda and Uncle Titus feature quite strongly at the start (Titus helps inform Jupiter of a clue) while Headquarters is lovingly described, though Rocky Beach barely earns a mention.  Stephen Terrill is a great creation - Lon Chaney must have been the inspiration for at least part of him - though, ironically, he’s maybe the only thing that particularly dates the book, since he was a silent movie star (the book was published in 1964, so the talkies were only 37 years old then which, to me as I write this, would be 1981).  His manager, Jonathan Rex - also known as ‘The Whisperer’ - is also a smart creation, menacing and helpful by turns while Skinny Norris makes his first appearance (though not for long) and Jupiter's thoughts about him are cleverly woven into the plot.

Whilst the series hinges on the relationship between the boys, their link to Hitchcock is also key.  Robert Arthur was the editor of the Alfred Hitchcock mystery anthologies and it’s clear he was having fun here, spoofing his friends demeanour - Hitchcock has a troublesome relationship with the investigators, which smoothes itself out as the book goes on and his presence adds gravitas to the story.

With some great set pieces, nicely spooky sequences and a few plot twists along the way, this is an excellent read and I highly recommend it.

left - Collins Hardback Second Edition (printed between 1972 and 1979), cover art by Roger Hall, scan of my copy
right - Armada format a paperback (printed between 1970 and 1979), cover art by Peter Archer

back cover of the Armada format a paperback, showing Peter Archer's wonderful artwork
(cover scan of my copy)

Armada format b paperback (printed between 1980 and 1982), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

The Mystery Of Monster Mountain, by M. V. Carey

2014 marked the fiftieth anniversary of The Three Investigators being published and, to celebrate, I re-read and compiled my all-time Top 10 (safe in the knowledge that it would be subject to change in years to come, of course).  I posted my list here, having previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here).

During 2015 I decided to re-visit some of the books I'd missed on that second read-through, without any intention of posting reviews but, as is often the way, it didn't quite work out like that.  I'm happy to say that's continued into 2016 and so here's an additional review...

Collins Hardback First Edition (printed in 1974, never reprinted), cover art by Roger Hall

The Three Investigators crept stealthily through the undergrowth.

Suddenly, somewhere to Bob's left, a branch snapped.  Then Bob heard something else - something horribly close.  Behind him, almost at his shoulder, there was the sound of breathing.

Bob jumped, twisting in mid-air, to face the being that had come out of the woods.  He had an impression of hugeness and matted hair.  Then he was staggering, slipping on the earth at the edge of the crevice...

Illustration from the Collins/Armada editions,
by Roger Hall

Following a sudden decision by Aunt Mathilda and Uncle Titus to shut the salvage yard for two weeks and take a holiday, the boys accept an offer to go and stay with Hans & Konrad at their Cousin Anna’s place in Sky Village, Sierra Nevada.  She runs the Slalom Inn there and is doing very well for herself, though she hasn’t seen the Bavarian brothers for a while.  When they arrive, they discover she’s newly married - to Joe Havemayer - and that she won’t speak German in front of him since he doesn’t understand it.  On their first night, a bear gets into the garden but another guest, nature photographer Mr Jensen gets hit in the back of the neck and suspicion seems to fall on the other guest, naturalist Mr Smathers who believes he can communicate with animals.  Havemeyer enlists Hans & Konrad to help him build a swimming pool with no shallow end and takes daily visits to the high meadow with a tranquiliser gun and very quickly, Jupiter realises there is something very wrong at the Inn.

The third book in the series by M. V. Carey, following the excellent “Mystery Of The Singing Serpent”, this works well in general and has a good pace.  Sky Village is well realised (Rocky Beach doesn’t appear at all) with the high meadow and forests particularly atmospheric  and the story is populated with a colourful cast of characters, especially Gabby Richardson who runs the local petrol station and doesn’t miss a thing.  There’s also a very brief part for Bob’s dad, by phone, who supplies the Investigators with a key bit of information.

The story has two strands and the main mystery - why is Cousin Anna very different from how she used to be - is well handled though it does suffer from a denouement that relies heavily on a big coincidence.  The secondary mystery, the monster of the mountain (which Gabby originally tells them about), is cleverly used, keeping in the wings - though Bob gets a brief glimpse - until his scene in a key set piece that is well put together.

The tone of it, coincidence aside, works smartly and the main mystery is cleverly constructed.  Joe and Anna are well realised characters, who arouse suspicion without really seeming to do anything to warrant it whilst Hans & Konrad get to take centre stage, which doesn’t happen often.

As well written as we’ve come to expect from M. V. Carey’s work, this has some good set pieces - I liked the crevice sequence, the bear incursion and the fire on the meadow - and I particularly liked the way the monster is used (and the fact that it’s left hanging as to what anybody actually saw).  The plot is solid enough, it has a great atmosphere and sense of location and the boys have some nice interplay.  A good and entertaining read, I’d very much recommend this.

Format A paperback, first printed in 1977, last reprinted 1980, cover art by Peter Archer
There was no format B edition
cover scan of my copy

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)