Monday 28 August 2017

700th blog post!

Blimey, welcome to my 700th post!  After deciding to stick to a regular posting schedule (every Monday), I've thoroughly enjoyed working on the blog and, as ever, I'm surprised at how much I've managed to fit in since the last milestone catch up.

Since the 600th post (back in December 2015), I've had six short stories published, two novellas - The Exercise appeared in Darker Battlefields from The Exaggerated Press and The Factory was a standalone title from Hersham Horror Books, launched at FantasyCon in September 2016 - and my second collection Things We Leave Behind appeared from Dark Minds Press at Edge-Lit 6 in July 2017.  I went to the NewCon Press birthday bashEdge-Lit 5Sledge-Lit 2Edge-Lit 6 and had a great time at FantasyCon in Scarborough (where the King For A Year project I curated was nominated for the non-fiction award), went to three writer/blogger meet-ups (in London and Birmingham), the launch of Sue Moorcroft's novel The Christmas Promise in Nottingham, did another two events at KettFest (including one with Sue) and had a slot at the first Earls Barton Literary Festival.

On the blog, I've written some book reviews, some behind-the-scenes essays (on movie miniatures and matte paintings) and had great fun researching and writing some film retrospectives (on North By NorthwestGregory's GirlFor Your Eyes OnlyRaiders Of The Lost ArkAn American Werewolf In LondonFrenzyThe Living Daylights and The Spy Who Loved Me).  I've also presented two sets of the Westies (for 2015 and 2016), curated three mixtapes of short stories (British, American and Women In Horror), carried out some interviews, written some essays on old-school horror paperbacks and made the case for a trashy film (which was fun).

I've written some Nostalgic pieces (on Look-In magazineChristmas catalogues and comic & magazine ads), discussed 1986, seen some more films under the stars, had fun in London at The Barbican, written a health updateshown some glorious painted movie posters, reminisced about putting on a back garden play, caught up with some Three Investigators book reviews and celebrated 25 years of Summer XS, 30 years of IT by Stephen King and 40 years of The Promised Land by Robert B. Parker

I also started the Star Wars At 40 thread (and have so far written about the Marvel comics, Stormtroopers, The Millennium Falcon, The Topps Trading CardsThe first public screening, An appreciation of George Lucas, Production design, the Toys and Helix & Letraset goodies).

I've had a good time over the past twenty months (and 100 posts) and thoroughly enjoyed myself, both creatively and in general life.  Fingers crossed there's a lot more to come so roll on post 800!

Monday 21 August 2017

The Back Garden Play, 1982

Back in November 2013, I blogged about the photo-stories I used to produce (which you can read here).  As well as writing and directing those, I was also one of those annoying "hey, let's put on a play!" kids and, for two summers with friends, I did just that.
The Rasgdale Street Players (from left) - Steven Corton, Claire Gibson, me, Tracy, Caroline Gibson
(from the Kettering Evening Telegraph, August 1982)
The Ragsdale Street Players (we weren't actually called that but, with hindsight and since we lived there, we really should have been) was formed by me and my friend Claire Gibson (who had been in my class during junior school), along with my sister, Tracy and Claire's sister, Caroline.

Our first play, The Evil Of Dr Frankenstein, was performed in the Gibson's back garden during summer 1981.  My friend Nick was going to play the monster but, at the last moment, wasn't able to so he was replaced by a cardboard box robot (as I recall) who thankfully didn't have any lines.  The play was successful with its audience (friends, neighbours and relatives who weren't told what was happening when they were invited over) and I loved it.

After that, I read a book (Graphic Violence On The Screen, by Thomas R. Atkins, which I still have in my library) that included a picture of Warren Beatty and Faye Dunaway in Bonnie And Clyde (1967).  I was really taken with it, got other books out of the library about the duo and decided that would be the basis for the 1982 play.

Everyone agreed, I did the research and Claire & I began writing the script on 3rd August (I only know this because 1982 was the first year I kept a diary).  Later entries record us rehearsing (though not every day) and the "for one night only" performance was Wednesday 11th August (we rehearsed morning and afternoon that day).  My diary entry reads:
"The play went down quite well and lots of people came.  
We raised £3.40 for the church tower appeal fund"

Smith & Jones, our play, was in two acts and we even had a singalong in the interval - Steve Corton could play the keyboard and knew the tune to We Are The Champions, which helped because Claire had the lyrics in her Smash Hits and we wrote them on boards for the audience to see.

We took the funds to the church the next day and that, I thought, was going to be it - the play had done well, I basked in the glory, that was us done for another year.  Except, on the Friday, I got a phone call from the local Evening Telegraph and dutifully recorded it in my diary:

"This morning, a lady from the Evening Telegraph phoned me up to say that Canon Cox had contacted them to tell them how much we raised etc.  She is sending a photographer at 2.30pm.  He came earlier and took 5 scenes [I presume I meant poses] but 20 shots.  There were two men."

The picture appeared in the Monday 16th August edition, 35 years ago.  I'm wearing my Indiana Jones fedora (bought the previous summer in Great Yarmouth), Steve is wearing my dad's St John's ambulance hat and we're all holding toy guns.  And seriously, how fantastic is that?
My diary says £3.40 and I stand by that...
The Ragsdale Street Players (I really wish I'd thought to tell the reporter from the ET that) bowed out at the top of their game and Smith & Jones proved to be our final show.  I can't remember much at all of the play, or the performance, but looking at that grainy photograph from the paper always makes me smile.  Claire and Caroline are both still doing very well, you'll be pleased to hear and I went on to appear in several Youth Club pantomimes with Claire as we moved into our teens.  I haven't done much acting since then but, on occasion, I've been known to write the odd thing or two...

Monday 7 August 2017

Star Wars At 40 (part 8) - Helix & Letraset

In 1978 the unprecedented success of Star Wars took most people by surprise and demand for merchandising, from fans like me, was huge.  Fairly quickly, we had the Marvel comics (which I wrote about here) and the Topps cards (which I wrote about here) but whilst toys (which I wrote about here) and games took time to design and produce, there were easier items to manufacture, such as posters, iron-on transfers for t-shirts, badges and rub-down transfers.  They really took off and so, for the eighth entry in the Star Wars At 40 thread, I’m taking a look at contributions from Helix and Letraset.
The Universal Woodworking Company Ltd was formed in 1887, making wooden rulers and metal laboratory apparatus.  It patented the drawing compass in 1894 (launching the Helix brand) and created its first mathematics set in 1912.  The brand of Helix Oxford was created in 1935 and Helix International Ltd is now part of the French-owned Maped group.

Helix was thriving in 1977, buying up smaller companies like Dunn & Taylor (who made cash boxes) and Colonel Rubber Ltd (who made rubbers - erasers, for American readers) and consolidating their brand.  Starting in March 1978 they produced a wide range of Star Wars branded stationery, including vinyl and wooden pencil cases, rulers, pencils (and toppers), geometry and maths sets, pencil sets and die-cut rubbers.  They also made the fantastic Death Star pencil sharpener, which was later made famous by its prominent inclusion in Stephen J. Sansweet’s Star Wars: From Concept to Screen to Collectible book.

Craig Spivey, a noted Star Wars collector, said, “These products were appealing to kids because they were bright and incorporated their favourite characters. There was even a chance to win a Star Wars school set by collecting tokens from tins of Heinz Beans and sausages.”

I had some pencils, the small ruler and a couple of pencil toppers but they are all long since gone.  Since school stationery was bought to be used, the items either ran out (pencils and rubbers), got thrown away or put in the loft (moving into the eighties and comprehensive school with a Han Solo pencil case perhaps wouldn’t have worked).  As a result, as Craig Spivey says, “the products have become incredibly sought after.”
Pencil toppers (top) and die-cut rubbers (bottom) - I love that Darth has dials on his suit!
The school set, a zipped half-moon that opened, comprised 4 coloured pencils, a compass, a stencil, set squares, protractor and pencil.  The tin maths set, on the other hand, contained pencils, a protractor, a compass, angle rulers, a stencil but also came with a mini Millennium Falcon poster.  I would gladly have either today.
When I started collecting vintage Star Wars merchandising again a few years ago (see my post here), I often had a look at ebay to see what was about and was very surprised at the price some of the items were going for.  Even the Stormtrooper ruler (which I would love) is fetching prices of upwards of £35!
Ad from Star Wars Weekly, issue dated 26th July 1978

I’m in my late forties and if you ask anyone of my generation what Letraset is, most people will quite happily tell you they made transfers.  If you were making a poster, booklet, student magazine or anything else where you needed a professional look, you’d buy one of their sheets of type and painstakingly rub off the letters you wanted, on a pencil line you’d carefully drawn (and would equally carefully rub away, so you didn’t accidentally rub off any of the transfer either).  The result often looked wobbly but generally very good.

Letraset was founded in London in 1959, introducing ‘innovative media’ for commercial artists and designers.  It later moved to Ashford, Kent and is now based in Le Mans, France.  Their original product was the Letraset Type Lettering System but, in 1961, they created a revolutionary dry rub-down method they called Instant Lettering and it became their core product.  In 1964, the company applied the dry rub-down technique to a children’s line called Action Transfers.  Following the birth of home computing (when loads of fonts were suddenly at consumers fingertips), sales declined but since Letraset held the rights to their fonts they entered the digital market and also began to manufacture art marker pens.  They also, fantastically, still make transfer sheets for when designers want to avoid a samey-digital look.  The company was purchased by the ColArt group in 2012.
Escape From The Death Star - pic courtesy of, from the Craig Spivey collection
During the 1970s, Letraset bought licences for its Action Transfer line, including The Wombles, Super Action Heroes (DC comics), Duckhams Grand Prix, Paddington Bear, Captain Scarlet, Dr Who, Space: 1999 and some Disney lines.  They also, smartly, were one of the early Star Wars licencees.  Reacting quickly to the success of the film, the first Letraset transfers (with artwork by David Clark) appeared on the back of Shreddies boxes with four scenes (Capture Of The Rebel Cruiser, Escape From Mos Eisley, Breakout At Prison Block and Escape From The Death Star), each with their own set of transfers.

Transfers were free gifts in Look-In magazine (which I wrote about here) in the w/e 11th March issue and Star Wars Weekly No.9, dated 5th April.  In addition, Wall’s ran a promotion with its sausages and there were blocks of six sheets available in the Star Wars Space Writing Set.

Letraset released three sets (known as L46) - Battle At Mos Eisley, Escape From The Death Star and Rebel Air Attack - which all featured panoramic backdrops with excellent and detailed painted backgrounds.  As with the Topps cards, they were an ideal way to re-live the film, capturing a moment (though one as interpreted by Letraset’s artists) that would then become iconic to us and there’s a lovely sense of nostalgia seeing these images now.  These sets went into a second printing as Letraset were taken by surprise at their popularity and John Hunt, the brand manager at the time, later said “the Star Wars sets were probably the most successful transfer set ever made.”
L46 Escape From The Death Star cover, courtesy of - click the picture to see it bigger
L46 Escape From The Death Star backdrop, courtesy of - click the picture to see it bigger
L46 Escape From The Death Star transfer sheet, courtesy of
More products were required and Letraset responded with a smaller format 10-part series (known as L46) that ran chronologically through the film.  Thankfully, the production rush didn’t result in a lack of quality, as it says on the Action-Tranfers site, “the backgrounds in particular are excellent and very well suited to the requirements of the medium.”  The series comprised Kidnap Of Princess Leia, Sale On Tatooine (the only one I have left in my collection), Action At Mos Eisley, Escape From Stormtroopers, Flight To Alderaan, Inside The Death Star, Prison Break Out, Death Star Escape, Rebel Air Base and Last Battle.  Looking at these images now, it’s interesting to note where artists and designers didn’t have access to information from Lucasfilm (there were no technical manuals or books of blueprints back then) so the Millennium Falcon (in set 5) had a large viewing window with the hold area (scene of the chess set) opening onto the cockpit.
The Millennium Falcon (set 5), pic courtesy of - click the picture to see it bigger
scan of my copy
scan of my copy (filled in by 9-year-old me).  Does anyone else think Uncle Owen looks a bit like Oddbod from "Carry On Screaming"?  Click the picture to see it bigger
And this is what the background looked like without my handiwork...
pic courtesy of - click the picture to see it bigger
The final Star Wars transfer set came as part of a promotion from the Wimpy restaurant chain (which dominated UK fast food in the 70s, when very few people had heard of McDonalds), where you got a set free with every Maxi Quarterpounder or Wimpy Kingsize hamburger.  The set featured Luke, Darth, Chewbacca, C-3PO, R2-D2, a Stormtrooper, a laser blast and two Wimpy logos but there doesn’t appear to have been any artwork to apply the transfers to.

In the late 70s, Letraset Consumer Products branched out into character-licensed stationery with four main ranges - Star Wars, Super Heroes (DC again), Thelwell (whose wonderful artwork and cartoons now, sadly, seem to have faded from view) and posters (that the kid got to colour in themself).
photo courtesy of, from the collection of Craig Spivey
I had a few of the Star Wars books though, since I was nine at the time, none of them are in pristine condition.  C-3PO’s Exercise Book ('24 page feint ruled exercise book’) and R2-D2’s Memory Bank (’56 page feint ruled notebook’) are both A5 format, Chewbacca’s Space Notes (‘56 page feint ruled pocket book’) is A6 format and the Storm Trooper (sic) Manual (’32 feint ruled pocket book’) is A8 format (and features a flipped version of the iconic image, where Harrison Ford enters the control room - which I wrote about here).  The back of the Chewie and Trooper books are starfields, C-3PO is backed by ‘Intergalactic Translations’ (English, French, German, Italian) and R2-D2 is backed with times-tables (2 to 12).
My collection
C-3PO and his Intergalactic Translations...
Of their time certainly (I haven’t seen transfer sets for a long time and most of the Star Wars related stationery now is all built around one or two images, though I have bought them and put them away) but definitely great fun, the Helix and Letraset lines were big parts of my childhood love for Star Wars and provide a warmly nostalgic nod back to the late 70s.

As a "special edition", Maped Helix have released a whole range of "40th Anniversary" stationery items - repro versions of the pencil cases, maths set, rulers and pencil sharpeners, just in case you missed them the first time around.

Helix website
Action Transfers (with special thanks to Tom Vinelott)

2017 marks the 40th anniversary of Star Wars, which was released in the US on 25th May though it didn't hit the UK until 29th January 1978 (following a 27th December release in London).  I was lucky enough to see it in early 1978 and it remains my favourite film to this day.

To mark the anniversary, I'll be running a year-long blog thread about the film with new entries posted on the first Monday of each month.

May The Force Be With You!

Find all the entries in the thread here