The Screaming Dead, by Peter Mark May & Richard Farren Barber

As their new novel, The Screaming Dead, is launched, I hand over the blog to a guest post with a difference from my old partners-in-crime Richard Farren Barber and Peter Mark May.

In the afterlife, the loudest sound is the screaming of the dead.

Death isn’t always the end or the answer. Sam thought his suicide would be the end of his suffering, but he was wrong, as he wakes up in a never-ending graveyard. He soon realises he has an opportunity to be reunited with his departed twin brother, Paul. Yet they must cross through the many planes of the afterlife to find each other. They will need to escape the hordes of the dead, survive forests where burning corpses are nailed to trees, and navigate the feuds and machinations of the people who promise to help them along the way.

Can Sam and Paul find each other in hell, or will the afterlife claim another two souls?

This discussion between Richard Farren Barber and Peter Mark May was recorded on Thursday 11th February 2021 in a Covid-secure manner and without their knowledge.

RFB: You still have the negatives? I assume the deal is we hand them over to Mark once he’s posted a glowing review of The Screaming Dead on his blog, and not a moment earlier?

PMM: They’re in the safe, only accessible with both our retina scans.

RFB: Pete, if Mark asks, what first attracted you to the prospect of working with handsome, charming, witty, stellar author Richard Farren Barber?

PMM: Stevie King kept snubbing my emails. 

RFB: I’ve warned you not to call him Stevie, he doesn’t like that! And I bet he drank that beer in the fridge. Anyway, I’m glad he turned you down. You came up with the initial idea for the novel, and I loved the outline you sent to me. How did you feel about sharing your idea? And how do you cope when your co-writer takes the story off into a different direction to the way you may initially have intended?

Thanks to the pandemic, the last opportunity we had to get together was in Bedford,
on November 30th 2019.  We've chatted online since but it's not the same as meeting
up, scouring secondhand bookshops and having a pizza together.  I miss these two...

PMM: As the owner of Hersham Horror Books, I’m used to sharing good ideas for others to write and run with. With you taking the story off in different directions, it was a challenge in a good way. Trying to steer it the long way back to my ideas, sometimes going in a fresh direction, or simply reinventing large part of the plot, was a great writing challenge.  How did you find the process of writing alternative chapters of approximately 1000 words? Did you write ahead only to be foiled by my next off-kilter chapter and dramatic story direction changes?

RFB: Yes I did! (I can laugh now, but at the time I cursed you. It seemed almost intentional!) But I learned from my mistakes. I would often finish writing a scene and send the file back to you, but by then I was in the zone and I’d carry on writing into the next scene for my set of characters… only to get the document back and discover you’d thrown me a curveball. A few times I could re-use what I’d written, but sometimes I had to stop and rethink where we were going after I got your response. I suppose that is what comes of writing together for the first time. What would you say are the attractions and challenges with collaborative writing when compared to writing alone?

PMM: Doing half the work to write a full book appealed. The challenges were, waiting for the next chapter and finding out either my ideas or the plot you had in mind had to alter or be thrown out the window totally. I enjoyed the dire cliff-hangers I left you with at the end of most of my chapters. Thinking, ‘how is he going to get out of this’ like some old black and white Flash Gordon serial, but you batted them back well. Did any stump you at all?

RFB: Hopefully not, but maybe we’ll get an irate email from a very Cock-a-Doodie reader telling us we cheated because he didn’t get out of the car. (To be fair, and hopefully not giving away too much of a spoiler given that it’s clear from the blurb that if the character in front of you isn’t dead, they will be soon…. We sorted that particular issue by making sure no one gets out of any car alive!)

At Edge-Lit 6, Derby, July 2017 with my collection.
I wrote a report about the Con here.

PMM: What was your favourite chapter to write, any chill you?

RFB: I loved the scenes in the graveyard when the horde churns around and around as a new arrival enters the afterlife. But the one which affected me the most was one you came up with of the dead forest and… well, let’s not give too much away about what happens in there! How about you, do you have any particular favourite scenes from the book? 

PMM: The sky-train of death (no spoilers) was a vivid image I had in my head when writing certain chapters. The chains, death shadow, blood and cow-catcher all unnerved me. That and a certain scene with the baby.

RFB: Oh yes, that scene!

PMM: The story is all about death and the afterlife. Did it stir up personal views, or beliefs in what happens after we die? Did they influence the plot at all?

RFB: Hmm, good question! I don’t recall any particularly strong responses to the storyline in terms of life-after death. I do remember that for me one of the strongest emotions came from the idea of the brothers being separated and that filial urge to get back together. But I do think one of the strengths of horror fiction is the ability to pose the big questions: What is the point of life? Is there anything after this world? I don’t have any answers, but I’m fascinated by exploring the possibilities.

PMM: How does it feel to have something you have writing, turned into audio? 

RFB: It’s a very weird experience! I suppose in some ways it is not dissimilar to producing a script and then handing it over to a team to manage. During the writing process I have a clear idea of what the characters sound like, and so it’s fascinating for someone else to pick that up and give their own interpretation.

We’d better stop now, before someone finds us. Can you send Mark a couple of the images…. Just to keep him focussed! And remind him The Screaming Dead is available in paperback, eBook, and Audiobook.

* * *

Richard Farren Barber was born in Nottingham in July 1970. After studying in London he returned to the East Midlands. He lives with his wife and son and works as a manager for a local university.

 
He has over 80 short stories in publications including: Alt-Dead, Alt-Zombie, DarkFuse, ePocalypse – Tales from the End, Fever Dreams, Horror D’Oeuvres, Murky Depths, Midnight Echo, Midnight Street, Morpheus Tales,  Night Terrors II, Siblings, The House of Horror, Trembles, When Red Snow Melts, and broadcast on Tales to Terrify, Pseudopod, and The Wicked Library.
 
Richard has six novellas published: The Power of Nothing, The Sleeping Dead, Odette, Perfect Darkness, Perfect Silence, Closer Still (which I wrote about here), and All Hell.  His debut novel The Living and the Lost was published in 2019.

Follow him on Twitter and Facebook.
His website can be found here www.richardfarrenbarber.co.uk

Peter Mark May is the author of nine horror novels and one novella Demon, Kumiho, Inheritance (written as P. M. May), Dark Waters (novella), Hedge End, AZ: Anno Zombie, Something More Than Night, Forky’s House, The End of All Flesh Book 1: The Flood in 2019 and The End of All Flesh: Book 2: The Red Death in 2020. 

He’s had short stories published in genre Canadian & US magazines and UK & US horror anthologies such as Creature Feature, Watch, the British Fantasy Society’s 40th Anniversary anthology Full Fathom Forty, Alt-Zombie, Fogbound From 5, Nightfalls, Demons & Devilry, Miseria’s Chorale, The Bestiarum Vocabulum, Phobophobias, Kneeling in the Silver Light, Demonology and Tales From the Lake Volume 5.

He also writes historical crime under the name Alexander Arrowsmith, his first two a series of novels - The Athens Atrocities and The Medousa Murders - published in 2019.

He also runs Hersham Horror Books and has published 30 books so far. 

His website can be found here http://petermarkmay.weebly.com/

FantasyCon Memories

This past weekend should have seen FantasyCon 2020 take place in London but, due to Covid-19, it was understandably cancelled.  Absolutely the right decision but it meant a lot of us missed out on one of the few chances we get in a year to catch up, in real life and in living colour, with our writing friends, a weekend full of chatter (books, writing and general bollocks), laughter and eating.

The FantasyCon Boyband publicity shoot went well - Richard Farren Barber, Steve Bacon, me, Wayne Parkin on Scarborough sea front, 2016

I've missed meeting up with my writing family this year, so I thought I'd share some of my favourite FantasyCon memories from over the years here.  If you were at any of these with me, it was a real pleasure to spend time with you and roll on next year, when hopefully we can finally do it again!


FantasyCon 2018 - Chester (I wrote about it here).  Set in another grand hotel, highlights from this include great book launches, being on a panel with Joanne Harris and the inaugural Best Legs In Horror contest (tightly fought by me, Phil Sloman & Jim Mcleod, I was robbed...)

In the Jubilee Room for the Black Room Manuscripts 4 launch with, from left, Tracy Fahey (who co-edited the anthology), Duncan Bradshaw, Peter Mark May, Steve, Penny Jones, me, Neil Williams, Michelle Williams and James Everington

Me & Jim Mcleod (I can't remember now why he suggested I sit on his knee) - pic by Lisa Childs

The "no pressure whatsover panel" featuring, from left, Juliet Kemp, Joanne Harris, me and Lesley Jones - some of these people are more nervous than others...

Fantasycon 2017 - Peterborough (I wrote about it here).

On a panel with some stellar writers - Ramsey Campbell, Phil Sloman, me, Helen Armfield, Nina Allan and James (pic by Peter Mark May)

Out for lunch with Dave Jeffery, Sue Moorcroft, Phil (his left arm isn't really that long!), Peter Mark May, me, Richard

Priya Sharma, Steve Harris, me, Simon Bestwick (front) and Peter

FantasyCon 2016 - Scarborough (I wrote about it here).  Probably my favourite Con of all time, this had everything - a wonderfully gothic hotel, great friends, excellent weather, successful book launches, fish & chips on the front and lots of laughter.

from left - John Gilbert, Sue Moorcroft, Neil, James, Priya, Phil, me, Lisa Childs, Ross Warren, Wayne, Cate Gardner

At the launch of Hersham Horror Books' 4 Novella's - Phil, Steve, me, James

In the back bar (pic by Chris Teague) - from left (bottom) Wayne, Gavin Williams, Amanda Rutter, Steve, Sharon Ring, me, Ross, John Travis, Peter, Lisa, Sue, Phil, Steve, James

Me, Alison Littlewood, Gary Fry and Gary McMahon - sarcasm not pictured

FantasyCon 2015 - Nottingham (I wrote about it here).  A real highlight, this included the launch of The Lost Film, the "surprise" book launch of Jim Mcleod Must Die, a cracking disco and lots and lots of laughing with friends.  The hotel menu wasn't brilliant, nor was the service at the curry house...

Launching "The Lost Film" with Steve and Christoper Teague

"Jim Mcleod Must Die!" - the big man is overcome at all the love in the room for him, with Sue, Phil (who organised the wonderful project) and Steve

Jim, me, Charlotte Bond, Paul Melhuish and Richard 

A misted up camera lens produced this - Peter, me, Phil and Steven Chapman, boogie-ing the night away...

l to r - Paul Woodward, Phil, Steve, me, Alison, Jim and James with Gavin Williams in front.  I am NOT fiddling with his ear...

FantasyCon 2014 - York (I wrote about it here).  This was just after my heart attack and it still gives me a warm glow, remembering the way people came up for a hug or to say how good it was to see me.  That meant an awful lot to me then and it still does today.

In the Dealers Room (again) with Steven, Phil, Jim, me, Sue, Neil and Chris

World Fantasy 2013 - the third in Brighton and this was huge (I wrote about it here)

In the dealers room with Stephen Volk, Gard Goldsmith and Paul Finch

Neil Bond displays his autographs, with Steven and Ruth Booth

FantasyCon 2012 - the second in Brighton (I wrote about it here)

In the dealers room with Selina Lock, Richard and Stuart Young

Having a great time at the disco!

Alison & I having a laugh in the Hauntings book signing.  Poor old Paul Kane doesn't look so amused...

FantasyCon 2011 - my first in Brighton (I wrote about it here).  This was also the Con where I got to see Simon Duric's masterful short film Later (which I wrote about here).

At the Alt-Dead launch with Stuart Hughes, me, Dave, Steve Lockley and Stuart Young.  Peter Mark May is handing out the cake.

FantasyCon 2010 - the first one where I stayed over night (I wrote about it here)

In the bar at the Brittania in Nottingham
(left to right: Gary McMahon, hiding behind his proof, Shaun Hamilton, Steve, me, David Price, Simon Kurt Unsworth, with Simon Marshall-Jones in front

Glorious Beasts: A Q&A with Gary McMahon

Gary McMahon & I have known one another for a long time now and I'm a big fan of his writing.  When Peter Mark May told me he was publishing a new McMahon novella (originally scheduled to launch at Stokercon this coming weekend, before the world went into Lockdown) I was thrilled, especially since Pete tends to send me Hersham Horror books to read through before they're released.  So I read the novella and loved it, got in touch with Gary to tell him and he happily agreed to answer some questions for me.

Cable makes his living tracking down bad men. His young son, Walker, is unable to speak, but the boy notices signs and tracks that others fail to see. When they offer to help a woman whose baby was snatched in the night, they realise they might be searching the wilderness for something unlike anything they've seen before. 

When men become beasts, something ancient awakes, and things worse than death roam the land.

MW:   The novella is a tough read at times, with plenty of your trademark bleakness to it. Are you finding that kind of style easier to write as you get older or harder?

GM:   It seems to me that the older I get, the bleaker my worldview becomes. What’s changed is my acceptance of it. I no longer fight that pessimistic side of me; instead, I embrace it. I’m never purposefully trying to be “dark”. I’ve always just been the kind of guy who prefers the sad songs...

People always seem to go on about how bleak my work is, and to be honest it’s become a bit tiresome to me. I don’t think my writing is bleak. It’s sad. It’s melancholy. Shades of grey.

I personally believe there’s a lot of light in my work: a lot of heart, a lot of soul, and a lot of humanity. But a reader has to work for it. They aren’t getting it spoon-fed from me. To get to the light, they have to walk through a lot of darkness.

The world isn’t a very nice place. All people are not inherently good. Love is rarely enough to save you. Your scars won’t fade entirely.

It isn’t my job to reassure you. I’d rather deal in these harsh truths in my work than pretend the darkness doesn’t exist, or that it can be vanquished for good. All we can ever do is push it back for a while, but it always returns.

MW:   I know it’s difficult to pin a story down to a single image, but where did this come from?

GM:   I can tell you exactly which image came first, but it would be a spoiler. It’s the cruellest image in the story, the one that will hopefully make people wince when they read it.

Then I started thinking I’d like to tie in some of the mythology surrounding those big cats some people think are roaming the English countryside. The Beast of Bodmin and its ilk. I’d always wanted to use that in a story.

If I’m honest, a lot of Brexit paranoia probably found its way into the tale. We always use what’s happening around us, don’t we? It’s all meat for the beast.

With the Secret Horror Cabal (we have a sarky Messenger group) at FCon Scaborough in 2016 (see my report here) with me, Alison Littlewood, Gary Fry and Gary McMahon - sarcasm not pictured

MW:   The world is thoroughly well realised (if fleetingly described), did you do much research to get the look and feel of it?

GM:   I did no research whatsoever. I just wanted a world that was slowly winding down. Decades before, there’d been a plague that had wiped out half the population. The ones who survived abandoned a lot of modern technology and started to turn insular and feudal, fighting tribal wars. After those wars were over, beliefs began to slip back to those of medieval times. Things that were once local folklore became real. Witches. Warlocks. Mythical beasts like the big cat.

In this story, the world stopped advancing in 1974. That’s when The Plague Years began. Home computers hadn’t yet been invented. There was no internet. No mobile phones. None of that stuff.

There’s a lot of Mad Max in the setting, and The Hills Have Eyes, and The Road. Julia Leigh’s superb novel The Hunter. A book about the Sawney Bean clan I read when I was a kid. The structure was borrowed from the film Bone Tomahawk. I think it’s safe to say my story wears it’s influences on its sleeve.

MW:   Can you see yourself writing more in this world?

GM:   Oh, definitely. I’d actually like to write a series of novellas set in this world.

I’m sick of having to write mobile phones, the internet, and iPads into stories. It’s boring. I love the simplicity of this stripped back, hard-scrabble place, the characters that live in it, the limitless possibilities of telling simple stories that actually have a lot of substance behind them.

At Sledge-Lit in November 2016 (see my report here) with Gary and Stephen Bacon

MW:   The novella has a brisk style, with wonderfully clipped dialogue and tells the story quickly and precisely. Do you prefer to work in this format, the short story or the novel or does it totally depend on the tale?

GM:   I find it tough to write novels these days. I think I burned myself out on the novel format a few years ago, when I committed to writing so damn many of them in a short space of time. I was also burned by poor sales. You bleed onto the page and nobody cares. It’s a harsh lesson to learn.

Glorious Beasts needed to be told in a spare fashion. The characters speak in a clipped manner because this is a hard, no-nonsense world. There’s no time for messing about with unnecessary niceties: these damaged people are all focused on survival.

I’ve always liked the novella format. I think it suits my clipped prose style. And it isn’t as daunting as writing a novel, as holding that whole world inside your head.

Novel writing, to me, feels so much like a form of madness. I’m a little scared to get back to that mindset. I will go back there, of course, but I’m not in a hurry. I’ll let it occur naturally, once I find a story that can’t be told any other way. I’m a great believer in the story dictating the form. I know there are more novel-length stories inside me, they just haven’t surfaced yet.


For more information on Gary and his writing, check out his blog here.

My Creative Year 2019

Continuing a tradition (the seventh occasion!), here's my annual look back at the year from a creative standpoint.

During the year I wrote two short stories (one of which Phil Sloman was kind enough to ask me for, see below for details) and a lot of essays for this blog (which is always enjoyable).  Most of my creative time was focussed on novels and all the attendant work to do with the admin of submitting them.  The second thriller novel, with the working title Hunted, went out to a lot of agencies and got some decent feedback but no bites.  I revised my first novel Hangman and re-sent that out too.  In the meantime, I started work on Novel 3 (I'm calling it Death At The Seaside but that won't stick) and, once again, hugely enjoyed the plotting process while out walking with David Roberts and Pippa.

* * *
I had one short story published.

Compass Wood appeared in The Woods, a Hersham Horror Books PentAnth anthology edited by Phil Sloman.  It was launched at Edge-Lit 8.

At the launch of The Woods, on stage at Edge-Lit 8 with, from left - James, Penny Jones, me, Cate Gardner, Simon B and Duncan Bradshaw (pic courtesy of Laura Mauro)

* * *
Ellen Datlow, as part of her Best Horror Of The Year anthology, included my short story Brooks Pond (which I wrote about here) in her Recommended Reading/Honorable Mentions List.  I was amazed and even more chuffed to see I got a mention in her round-up too and you can see more of her recommendations here.

* * *
My short story Mr Stix, originally published in For The Night Is Dark (edited by Ross Warren) and reprinted in my 2017 collection Things We Leave Behind, has been republished by PenMan Press as an e-chapbook available on Kindle.

When Sam Murphy's seven-year-old daughter Janey starts to suffer night terrors, he does his best to assure her that Mr Stix - a voice from the shadows who says "mean things" to her - can't hurt her.

Sam later finds the grotesque Mr Stix in the family bathroom and then his terrified wife tells him the story of her own childhood night-time fears.

If you're not in the UK, you can use this link - http://viewbook.at/Markwestmrstix

* * *
Jim Mcleod, at Ginger Nuts Of Horror, included The Woods in his Picks Of Year, calling Compass Wood a "fast-paced and action-filled tale".  You can read his full listing here.

Drive was reviewed by Andrew Hook at Goodreads who wrote: "If there's a definition of a page-turner, then this novella is it."  You can read the full review here.

Brooks Pond from The Black Room Manuscripts 4 was reviewed by Chris Hall at DLS Reviews who wrote: "the sort of story that keeps you on your toes, thinking you know where it’s going, only for it to unexpectedly shift course.  And the ending.  What an ending!  It’s dark, twisted and executed to absolute perfection." You can read the full review here.

Compass Wood was reviewed by Ben Walker at Kendall Reviews, who wrote: "delivers some decent frights [and] the image of the lunatic in pursuit of the story’s lead character stuck in my head for a while after the punchy ending."  You can read the full review here.

* * *
The Crusty Exterior - or constituent parts - managed two gatherings.

The first, which Phil Sloman unfortunately couldn't get to, was a meet-up in Leicester for my 50th birthday and I wrote about it here.

The second, organised by James but without Steve Harris, saw a gang of us meet up in Nottingham to sample bookshops, the Paupers' graves and a fine curry house.  I wrote about it here.

Crusties in Leicester, 2nd February 2019
 from left: John Travis, Sue Moorcroft, me, Steve Harris, Linda Nagle, David Roberts, James Everington & Steve Bacon

Birthday meal at Carluccio's Leicester with me, Sue, Linda, Steve, John, Steve, James & David

Crusties in Nottingham, 15th April 2019
from left - Wayne Parkin, me, Simon Jones, Penny Jones, Selina Lock, Richard Farren Barber, James Everingon, Phil Sloman and Jay Eales

* * *

To help celebrate the publication of her 15th novel, Let It Snow, I interviewed Sue Moorcroft at Rothwell Library in November.  A hugely enjoyable evening, we had a good turnout, a lively Q&A session and Sue did a reading - it also helped benefit the library, which I was really pleased about.  You can read my report on the event here.

Me and Sue Moorcroft, Rothwell Library, 13th November 2019

* * *
I only attended the one Con this year, Edge-Lit 8, held at The Quad in Derby on 13th July (see my report here).  Sledge-Lit was postponed for the year and FantasyCon was held in Glasgow, but the time-off requirements to travel proved sadly beyond me.

from left - me, Sue Moorcroft, Ross Warren, Peter Mark May, James Everington

from left - Simon Clark, John Travis, Steve Harris, Linda Nagle and me

* * *
I'm feeling confident for 2020 too, as I crack on with the thriller novel and, whatever happens, I'll keep you updated as to how things go.

As always, thank you so much, dear readers of this blog, for all your support in 2019, especially those who bought, read and liked my work - I really do appreciate it.

Edge-Lit 8, Derby, 13th July 2019

Arriving a bit later than originally planned (entirely my fault), Sue Moorcroft & I made our way across the square and bumped into Pixie Puddin, getting our Pixie-hug’s in much earlier than usual.  After speaking to her, we bumped into Laura & Mr Mauro, who were heading off to sign into their hotel so we hugged and caught up before going into the Quad to sign in.  Alison Littlewood & Fergus came over to say hello, then went up to the midday panel that - had we arrived earlier - I’d intended to go to.  Instead, we got drinks and headed out to the terrace to find our gang.

from left - me, Sue Moorcroft, Ross Warren, Peter Mark May, James Everington

I dumped my bag in the chair next to Ross Warren and worked my way around the table, hugging and saying hello to Lisa Childs, Tracy Fahey, Andrew Freudenberg, Steve Shaw, Charlotte Bond, Peter Mark May and James Everington.  Plenty of catching up and chatting, then we ordered lunch and I nipped off for a toilet break.  I’d barely made it into the bar when I bumped into Angeline Trevina and her friend Holly (who was enjoying her first Edge-Lit, even though I kept calling her Molly), Dion Winton-Polak came by, said a fleeting hello to Selina Lock (who wasn’t really there) and Adele Wearing then CC Adams came in for a hug and a quick catch-up.  I didn’t get much further before I spotted Steve Harris, Linda Nagle, John Travis and Simon Clark at a table so I dropped by to say hello, went to the loo and returned to them, for a natter and a catch-up.  It was good to see my Crusty mates and I’m glad I went back - I didn’t see John & Simon for the remainder of the day.

from left - Simon Clark, John Travis, Steve Harris, Linda Nagle and me

Back to the table and lunch.  Andrew David Barker joined us and told me about his new book project, with Unbound and we discussed agenting adventures.  After Lisa finished my chips for me, I spoke to Simon Bestwick, caught up with Georgina Bruce and her brother and Ray Cluley joined us (we managed a wave).  Richard Farren Barber arrived so I chatted to him with Pete and said hello to Duncan Bradshaw, Dan Howarth and Paul Feeney then Richard & I talked with Tim Lebbon for a while.  Spotted David Watkins and had a chat, then CC joined us.  After a quick hello to Stephen Volk, we were off to the Black Shuck launch.

Me, Lisa Childs and Tracy Fahey

As we waited in the foyer to go into Cinema Two, Sophie Essex came across from The Box (where the dealers room had been set up) to say hello, so I went over to their stall, picked up her chapbook and chatted with her and Andrew Hook.  As Sophie said, you have to say hello when you see someone or you don’t see them again and - true to form - I’m glad we did because I didn’t.

Me, Richard Farren Barber, Peter

picture courtesy of Richard

Late into the launch, I sat in a row on my own (very warm in there and without anyone to nudge me, was a bit worried I’d nod off).  James and Dan launched their antho Pareidolia then Kit Power launched The Finite and did a reading.  Said hello to Jay Eales then Simon B came by and I realised Cate Gardner was in the row behind so I went back to chat with her and we talked nerves (our book launch next), writing and keeping fit.

Into Cinema One (the bigger theatre) for the Multi Publisher launch - Ross and Simon B with the latter’s novella A Love Like Blood, Justin Park and the Sinister Horror Company with Duncan’s Cannibal Nuns From Outer Space and Pete’s HHB with The Woods, featuring Cate, James, Penny Jones and me (Phil missed the event as it’s his wedding anniversary).  I convinced Cate to do a little reading and I hope she enjoyed it, we all read the first page of our stories and I had a great time (hope the audience did), though it was weird hearing your voice then an amplified version of it through the speakers a half-second later.

Following Cate's reading, as Simon looks on and Duncan finds something more interesting to do.
from left - James, Penny Jones, me, Cate Gardner, Simon B and Duncan Bradshaw
pic courtesy of Laura Mauro

Reading from "Compass Wood"

Bought Simon and Duncan’s book, chatted with Justin Park (who was still flying high over a glowing review by Chris Hall of The Black Room Manuscripts 4, launched at FCon last year (see here) - I got a very nice write-up too for Brooks Pond which pleased me no end) then signed a lot of copies of The Woods.  Hayley Orgill stopped for a chat after I signed her book, then Kevin Redfern came by and it was good to see them and I got to speak with Sue Sinclair, from my writing group - at Cons, we're usually ships that pass in the night!  I finally got to speak with Penny Jones (I’d spoken with Simon, her hubby, earlier) and all too soon, we were being asked to leave for the next event.

Signing a copy as Jay Eales waits - pic courtesy of Sue

Peter went to drop his books at his hotel, so I waited outside and enjoyed some of the dancing in the carnival with Sue, Ross, Lisa and Richard with Pixie joining us for a while too.  Once we’d got everyone together, we adjourned to the Cosy Club located in a glorious old building with very high ceilings, a little balcony (inside) and all manner of great features.  After we’d ordered, conversation ranged all over the place and we covered a lot of ground, including Pete’s admiration (yes, I’ll use that word) for F. Paul Wilson – or fuporl, as we started to call him.

We talked, the food arrived, we ate (it was very nice) and we talked a lot more.  All too soon, it was after seven so we headed back to the Quad and into Cinema One, where our group took up most of a row.  Dion sat with me and we compared our days.  Sarah Pinborough and Tim did the raffle which was as chaotic as ever, though good fun and once again I didn’t win anything - Steve later suggested we call it the ‘curse of the Andromeda’ and I wouldn’t disagree with that.  The raffle - and day - ended with Alex Davis doing a little speech.  “I’ve got some bad news and some good news” he said before announcing there would be no Sledge-Lit (boo!), though he was running a Ghost event (didn’t quite catch all the details) in its place.  However, he finished with the news that Edge-Lit next year would be over two days, which could be very interesting indeed.

Before the food, with Sue, Peter, Lisa, Richard, Ross and me

After that, we made our way out, saying goodbyes as we passed people, then had a long time hugging and saying cheerio in the foyer to the gang before heading across to the car park (where, naturally, we found ourselves standing with the people we’d just said goodbye to).

Another excellent Edge-Lit and I thoroughly enjoyed myself - there were a lot of people I only managed to say hello to, who I wish I could have chatted with and there were more I saw briefly across the room and never got to speak to at all.  But such is the way with Cons, it all balances out in the end.

A great Con is made up of different things and this one had it all, from the superb organisation by Alex, Pixie and the entire redshirt team to the wonderful company of fine friends and writers, not to mention the incredible burst of creative energy as you soak up the buzz.

Edge-Lit, you and your participants were excellent.  Roll on the next one!