Showing posts with label rude dude. Show all posts
Showing posts with label rude dude. Show all posts

Monday, 13 November 2017

Polly, a novella

I'm pleased to announce that my new novella Polly will be published on 30th November by Stormblade Productions, with an online Facebook launch party to be hosted that day by Carrie Buchanan between 8pm and 10pm.  You can find the launch here.

Leaving her cheating husband and hollow marriage behind, Polly goes to Paris to visit a city she’s always wanted to see and open the next chapter in her life.  The City Of Love is everything she wanted it to be and even more - the grandeur of the architecture, the Seine, the people, the atmosphere.  This could be the start of something special, something new.

But why did she keep running into the strange man she met on the plane, the one she christened Mr Creepy because his smile made her skin crawl?  Perhaps it was just her imagination, perhaps it was paranoia but still…

Quickly making new friends - an American called Katrina and a waiter called Francois - she hoped to start again in a city that didn’t know her and never mind their melodramatic stories of a ‘necktie murderer’ stalking the backstreets of Paris.

What could possibly go wrong?

This all began with a Facebook message, in August 2015, from Neil Buchanan at Stormblade Productions asking if I’d like to write something for him.  Since I’d never had an audio book of my work done before, I readily agreed and the first idea came to me in late August, as I was driving and the INXS song New Sensation came on the stereo.  I’d already decided I was going to have a female protagonist (Carrie Buchanan narrates the Stormblade audio and it made sense to utilise a terrific female voice actor as much as possible) and my mind made the link that a new sensation could be a bloke or a destination.

I originally thought it’d be horror (since that’s my default genre) but the tone shifted as I worked on the notes (and my novella Drive, a dark thriller, began attracting attention).  I had most of the story in my head to pitch it to Neil and Carrie at FantasyCon that October and, buoyed by the fact they liked it, began writing in November.

I had trouble with the original ending (which was a lot darker than it is now) and talked it through with my friend Sue Moorcroft at one of our regular Trading Post meet-ups but otherwise it flowed well, with the first draft written in little over a month.  After taking a fortnight off, I wrote the second draft, sent it to my pre-readers (Kim Talbot Hoelzli, David Roberts and Sue) and using their notes, wrote the third draft in January 2016.

The bulk of the story takes place in the Latin Quarter of Paris, somewhere I’d wanted to visit since my teens (like Polly).  I was lucky enough to travel there several times on business, where the local manager of our company delighted in showing me around his wonderful city, pointing out places of interest and feeding us in fine restaurants.  On one occasion, I got to walk alongside the Seine to Notre Dame, taking lots of pictures. listening to the people and music around me and realised the Left Bank was everything I had always hoped it would be.

A few years later, in May 2012, I was in Paris with my colleague Rosie for a business meeting we managed to wrap up by lunchtime.  After a meal, we took the Metro to Notre Dame, had a drink at the Hotel Notre Dame St Michel and as it was a gloriously sunny May afternoon, we walked alongside the river to the Louvre, taking in the Bouquinistes and the Love-Locks on the Pont Des Artes bridge.  Polly does exactly the same walk.

Finally, I was able to work my love for The 400 Blows into the story.  Polly stays in L’Hotel Truffaut (named for Francois, the director) and all the names come from either the actors or the characters in the film. The one exception is the disco where Polly meets Manu – another favourite film of mine is Pauline a la Plage, directed by Eric Rohmer, so he lent his name to Club Eric.

In real life, Paris was everything I wanted it to be and more - as beautiful and grimy as London can be, with fantastic architecture and a wonderful atmosphere - and I had a lot of fun revisiting it with Polly.


The Metro at Saint-Michel, Paris - May 2012
A Bouquiniste, alongside the Seine, with Notre Dame in the background - May 2012

The plane hadn’t stopped before the first telephones began chiming with incoming messages and passengers got to their feet to pull their belongings from the overhead lockers.  Nobody had sat between Polly and the man and she’d noticed him giving her furtive looks throughout the flight, mainly at her legs.  Horrible creepy man.
She waited until he got up and retrieved his laptop case and a small rucksack before she moved across the seats.  He looked down and gave her a sour smile.  “Enjoy Paris,” he said.
“I’ll enjoy my romantic weekend,” she said.
“I’m sure you will,” he said and pushed into the line of people.
Polly watched until he’d left the plane before she stood and waited for someone to let her into the queue.

She went through passport control quickly, the immigration staff apparently uninterested by blonde English women.  The man behind the counter quickly checked her photograph then handed the document back with a curt, “Thank you.”
“Merci,” she said and offered him a bright smile.  His expression didn’t change.
Charles DeGaulle airport was light and airy, with high ceilings, plenty of glass and pale marbled floors.  It wasn’t overcrowded and Polly allowed herself to be carried along with the knot of fellow passengers to Arrivals.  Some bags had already come onto the carousels and she stood to one side, trying to spot Mr Creepy but he was nowhere to be seen.  Ahead, through the windows, she could see roads and car-parks and the sun struggling to break through the clouds.
After she got her case, Polly made her way to the entrance, checking signs and trying to read the language rather than look at the symbols.  She passed a couple of small cafes, the smell of fresh coffee intoxicating.  Further on was a big restaurant, surprisingly full and kids dragged their parents into a McDonalds franchise next door.  Between the two was a toilet and she went in, relieved herself, washed her hands and stared in the mirror.
The forty-four-year-old Polly Harper who stared back looked better than she’d expected.  Yes there were perhaps a few too many laugh lines around her mouth and eyes but they added to her, she’d earned and wore them well.  Her straight blonde hair was cut to her shoulders and looked good, the fringe covering most of her forehead.  She had a narrow nose, blue eyes that seemed darker in winter than summer and thin lips, none of which she particularly liked but all of which made her Polly.  She’d never really considered herself pretty but now, looking at herself in the mirror and disconcerted by the vaguely haunted look in her eyes, she realised she would have to or else she’d crumble.  What she’d discovered at home, what she’d walked in on, didn’t reduce her - if that was the view she took, she was lost.  No, she was as pretty as she’d ever been, if she wasn’t prettier than she was yesterday or the day before that and she needed to keep that in the forefront of her mind, to try and drive away the haunted look.
She saw the girl, her eyes large with surprise and perhaps fear.  She saw Dale’s hands all over her tits and felt a shiver run down her spine - no, don’t think about it.  It can’t be changed, now is the time to move forward.  Think ahead, think positive.  She was here in Paris, so what if she was on her own, she might have been in Barcelona now with a husband she didn’t know was cheating on her. 

Polly ordered a coffee from a busy stand near the main entrance.  Next to it was a newsagent and she glanced at the headlines as she waited for her Americano to cool.  The police, apparently, were no nearer to finding out the identity of the so-called Necktie Murderer, having just released a suspect.
She blew on the coffee and took a sip - strong and rich, just as she liked it.  Now what?  She hadn’t planned beyond this point and couldn’t decide between catching a train into the city, which would be more glamorous or a taxi, which would be more direct.
She looked up as Mr Creepy came out of the toilet, stopped by the door and used his handkerchief to wipe the corners of his mouth.  Surprised, Polly stepped back behind a pillar and counted to five, then peeped around.  He was looking in the opposite direction, towards the signs for the train station and that made up her mind on how to get into the city.
Mr Creepy turned slowly and locked eyes with her.  A small smile played at the corners of his lips and he nodded.  “I see you,” he mouthed.
Startled, it felt like his words had pulled the oxygen from her lungs as her heart seemed to thud against her ribs.  She slipped behind the pillar again and rested her head against it, her mouth suddenly dry, the only sound the rushing blood in her ears.  Had he really mouthed that?  Perhaps he was trying to be flirty, a kind of “peekaboo, I see you” and not something sinister, but it hadn’t felt like that.
“You’re being paranoid,” she said out loud as if making a sound would confirm it.  Nobody paid her any attention, which didn’t help.
Not wanting to see what Mr Creepy was doing - if he suddenly appeared around the pillar, with that little half-smile, Polly was convinced she’d scream - she grabbed her case and made for the main doors, trying to lose herself in the gaggle of people there.  She didn’t turn, didn’t pause, just barged her way through and out into the cool morning air.
A few people were standing at the taxi rank but there were more vehicles than passengers, so she stopped by the drivers door window of the first unoccupied one.
“Are you free?” she asked the driver, a huge black man who spilled over his seat onto the centre console.
The driver nodded and smiled.  His left canine was capped in silver.  “Oui, je suis entrer.”
“Merci,” she said and got into the back, sitting behind him.  As he pulled into the traffic, shouting heartily at a bus that wouldn’t let him by, Polly risked a glance behind but couldn’t see Mr Creepy.  She took a deep breath, willing her heart rate to slow down.

Monday, 11 April 2016

Polly, a new novella...

Coming soon from Stormblade Productions, available in print, digital and audio editions.


Polly Harper had always wanted to visit the City of Love

She just didn't expect to be doing it on her own...
More similar in tone to Drive than my horror output, Polly is a thriller featuring a woman who discovers, on the eve of her twentieth anniversary, that her marriage isn’t all that she thought it was.  Fleeing to Paris for the weekend, she befriends an American tourist and then meets a man in a bar...

Neil Buchanan, at Stormblade Productions, asked if I’d like to write something for him and I readily agreed (I thoroughly enjoyed their Everett Smiles audio book).  Knowing that Carrie Buchanan would be narrating, hearing the INXS song New Sensation and memories of an afternoon in Paris combined to give me the seeds of the novella, which I pitched at FantasyCon in Nottingham.  Thankfully they liked it and I had great fun working on it.

Polly will be released later in the summer, supported by an online launch and the print and digital editions will include an afterword.

More details to come...

Tuesday, 7 April 2015

What Gets Left Behind, now available as an ebook


In 1981, Gaffney was terrorised by the Rainy Day Abductor.

Local girls went missing.

And two boys made a terrifying discovery.

Now one of them has come home, to try and lay the past to rest.

In September 2012, Spectral Press published my story "What Gets Left Behind" as the seventh in their acclaimed limited-edition chapbook line (and I was thrilled that it sold out four months prior to publication).  No ebook version was released.

Since the original run was limited to 100 print copies, I thought it might be a good idea to publish the story in a digital edition and - having spoken with Simon Marshall-Jones at Spectral - that's precisely what I've done.  At the present time, there are no definite plans in place for any further print editions of this story.

The ebook version of "What Gets Left Behind" is essentially the same as the print one (with just a few minor tweaks) but includes an exclusive afterword where I spend 1,500 words talking about how the story came together.  The digital edition was built by Tim C. Taylor of Greyhart Press and I designed the new cover.

The ebook is available on Kindle now and for a limited time you can pick it up for 99p...





"Very strong writing and with a nice evocation of time and place.  West conjures the sense of a particular era with skill and the horrors he finds there are universal."
- Gary McMahon, author of "The Concrete Grove" trilogy

“Where this story excels is Mark’s amazing talent at intertwining the stories narrative with an emotional depth and detail, that will stir the emotions of the reader.  Mark West’s writing has a heart and soul that many writers would kill for.”
- Jim McLeod, at Ginger Nuts Of Horror

"Mark West has a knack for making the bonds that bind friends and family tangible and very
real. In What Gets Left Behind those bonds reach forward from the past to ensnare Mike and
draw him back to a place he never wanted to visit again...”
- Ian Whates, author of “City Of Dreams & Nightmare” and “The Noise Within”

“[A story] about loss and regret, as well as unsettled ghosts.  If you love the terror of good horror then there’s plenty for you in this slow-burner. And if, like me, you enjoy Mark West’s writing, there’s even more.”
- Sue Moorcroft, author of “All That Mullarkey” and “The Wedding Proposal” 


"What Gets Left Behind" garnered some very good reviews for me and I'm proud of the story.  If you decide to take a chance on it, I hope you enjoy it.




And I'll leave you with the Rude Dude Films trailer, complete with a soundtrack from the fine Gary Cole-Wilkin.
Pick up the ebook...



Monday, 7 July 2014

Drive, the novella book trailer


This is the book trailer for my forthcoming novella "Drive", due to launch at the Edge-Lit 3 convention in Derby, Saturday 19th July. Published by Pendragon Press, it will be available as a limited (to 100 copies) edition paperback (which will contain an exclusive afterword) and unlimited ebook, across platforms.


“Drive takes you for a journey down the darkest alleyways of human savagery.  
A fast paced, high tension thriller that delivers on all fronts....”
- Jim Mcleod, The Ginger Nuts Of Horror

"Drive is a gripping, tense urban noir with prose as tight as a snare drum..."
- Paul D. Brazill, Guns Of Brixton.

“Mark West writes the kind of fiction that gets under the skin where it lies dormant until you turn out the lights ...”
- Dave Jeffery, author of the Necropolis Rising series

The Rude Dude Films trailer is scored by gcw, who also produced the theme for my "What Gets Left Behind" chapbook trailer and who I interviewed here, last year.

He is releasing the music as part of the "Drive EP", which features this score, "What Gets Left Behind" and "Me" (a song from his next album).  The EP is now available to download on Bandcamp at this link - https://gcwmusic.bandcamp.com/album/drive

Thanks to Gary, again, for the great music, Jim and Dave for the blurbs and Chris for taking a chance on my dark tale.

Wednesday, 18 December 2013

"ill at ease 2" reviews

Three recent reviews of the PenMan Press anthology "ill at ease 2", which features my story "The Bureau Of Lost Children".

The first, from Anthony Watson at his Dark Musings blog, concludes with the comment "a high quality collection of stories, Ill at Ease 2 is highly recommended".  The review can be found in full at this link.

The second review, posted to Goodreads, comes from Ross Warren and his positive, four-star review can be found in full at this link.

The third review, posted at his website "Welcome to the Hellforge" by Matthew Fryer, is another positive one which can be found at this link.

Shaun's "The Shuttle" and my tale were also mentioned in James Everington's "Best Short Stories of 2013 (Somewhat Biased & Woefully Uncomprehensive)" list, which you can find at this link.

In addition, Ross Warren included my story in his yearly round-up.  The full list can be found at this link.

Thanks to them all and don't forget, if you've read it, it'd be great if you left a review!


Following on from the critical success of “ill at ease” comes volume 2, featuring seven original horror short stories, all of them guaranteed to give you the chills.

Joining the original trio of Stephen Bacon, Mark West and Neil Williams this time are Shaun Hamilton, Robert Mammone, Val Walmsley and Sheri White.

You will descend into an underground train station to uncover a dreadful secret and watch in horror as a paradise holiday turns sour.  You will see a bullied boy who’s helped by local history and share the anguish of a father, losing his child in a shopping centre.  You will take a trip with a cancer sufferer and share the pain of a couple, desperate for a child.  You will discover that history needs to be kept somewhere.

Seven stories, seven writers and you.

Prepare to feel “ill at ease” all over again.



cover designed and produced by Neil Williams
ebook built by Tim C. Taylor at Greyhart Press

Thursday, 24 October 2013

Anatomy of Death (shameless plug)

I'm going to WFC in Brighton next week and I'll be taking a copy of Anatomy of Death (in five sleazy pieces) with me as several of my co-conspirators (namely Messrs Volk, Bacon, Probert and May) will be there and I'd like them to sign it.


I was lucky enough to feature in the first PentAnth from Hersham Horror Books, Fogbound From Five and had great fun with that so when Pete May asked if I wanted to edit my own, I jumped at the chance.

Free to pick my own theme, I decided to go for one of the ‘phases’ that I have a particular fondness for (as a kid of the 70s and 80s), namely that explosion of ‘sleazy’ horror that ran from the early 1970s.  Think of the films of Hammer, Amicus and Pete Walker or the slim, gory and gruesome paperbacks from NEL, Corgi, Star, Hamlyn, Futura et al and you won’t go far wrong.  It was a time of  sex and violence, of pulpy horror and gratuitous nudity, of demons and monsters and no limit to what the writers would expect you to believe.

To fill out my collection, I decided to aim high first and contacted Stephen Volk.  Perhaps best known for GhostwatchAfterlifeThe Awakening and Ken Russell’s Gothic, he’s a writer I’m in awe of and his story, an envelope-pusher if ever there was one, was ideal - grim, gruesome but also blackly comic.  A Pete Walker film made in type.

Johnny Mains, a true supporter of 70s horror, presented me with a blackly comic, rude and undeniably gruesome story that would have fitted the heyday of those garish paperbacks to a tee.

Stephen Bacon contributed a quieter tale that tells of the sins of the past coming back to haunt the present, the deliberate pace and atmosphere recalling something Hammer might have produced in the period.

John Llewellyn Probert came onboard with a wonderful Victorian drama, featuring a young lady in distress, something terrible from the Thames and a threat to London.  It cannot be read without picturing Peter Cushing as the lead character.

For my story, I decided to embrace the period.  I read a stash of 70s/80s horror paperbacks and had great fun with London during the 1976 heatwave and a glamour photographer who gets tangled up with a monstrous ‘beast’.  I’m proud to share space with these fine writers and their stories.

I produced the cover art for the first two PentAnths (co-designing the first with Neil Williams) and we went through many iterations on this project (my teaser, blogged about here, got a lot of good feedback though unfortunately we couldn’t track the rights through Robert Hale).  In the end, we decided on a simple graphic and I think it works well.

I've had great fun doing this.  It was a real pleasure dealing with writers I admired, I loved writing my story and I've had a great relationship with Peter Mark May during the process.  I’m not sure I’d like to edit again but it’s been an experience and I hope the finished product does what it’s supposed to do - thrill, sicken, terrify and entertain!

If you're intrigued, the book is available from the following sources:

Amazon UK - print and Kindle  /  Amazon US - print and Kindle


Support the small press!

If you do decide to take a chance on the anthology - and I hope you will - reviews are always great to receive and the book has its own Goodreads page here.

Here's a sample of some of the reviews it's already received:

Anthony Watson, at Dark Musings - "Anatomy of Murder is fine addition to the Hersham back catalogue. Horror is indeed a broad church as Mark says in his introduction. Tastes may change, the genre will evolve (as it has to) but at the end of the day you can’t beat a bit of pulp."

Walt Hicks, at Hellbound Times "Anatomy of Death is a ruthless, doleful (and yet often playfully satirical) paean to those glorious days of the 70’s and 80’s when horror was campy, bloody, violent, gory and gratuitously sexual.  The selections are certainly well-written, provocative and extremely diverse, which may be problematic to some: the Mains and Volk stories are brutally graphic; Bacon and Probert wield a slightly less gory scalpel, while West's tale occupies more of a middle ground.  Readers may find this wide range of styles and intensity slightly jarring, but then again, that's what horror is supposed to do. The easily unsettled or offended will probably want to go elsewhere, because this ain’t no ‘quiet’ horror anthology."

Mattew Fryer, at Welcome To The Hellforge - "I really enjoyed Anatomy of Death; in fact I demolished it in one sitting. “Just one more, then I’ll get up and do stuff…” was the repeated cry, but this slim, well-ordered volume had other plans. It’s deftly edited, the genre tropes are handled with affection, and there’s plenty of variation despite the specific theme. The stories shine with the quirks and particular strengths of each author, and if you’re not familiar, you could do worse than getting acquainted here."

Paul Holmes, at The Eloquent Page, - "This collection is a wonderful homage to all the horror it pays tribute to. Sometimes violent, often gory and in-your-face, this can be unforgiving stuff. You can rest assured Anatomy of Death is not going to be everyone’s cup of tea. I have no doubt that some will consider it politically incorrect or perhaps even potentially offensive. Personally, I think it does quite an impressive job of dancing right up to the boundaries of good taste but never actually crosses the line. I’d recommend this to anyone who enjoys his or her horror unashamedly raw."

Adam Millard, at This Is Horror - "Back in the 1970s, thanks to Hammer, Amicus, NEL, Futura et al, the horror genre evolved into something altogether more exploitative and sleazy. Book covers were filled with lurid and often gory images, and movie posters contained visuals that would give the BBFC dreadful nightmares. The films themselves contained more breasts than scares; it was, for fans of the genre, a truly wonderful and sordid time. With Anatomy of Death: In Five Sleazy Pieces, the essence of that remarkable era is fully restored in the guise of five entirely divergent short stories."


Tuesday, 4 September 2012

What Gets Left Behind (book trailer)

Here we go - it was sold out long before it was due to be published (in September) but all the same, here's the book trailer for my Spectral Press chapbook, featuring original music written (especially for this) and performed by the talented Gary Cole-Wilkin.

Mike & Geoff and the Rainy Day Abductor are about to make their way into the world and whilst I'm really excited about that, I'm also a little bit nervous...

Sunday, 20 May 2012

The Mill

With print publication due very soon for "The Mill", it occured to me that there wasn't a book trailer for it. So that's now rectified...




A signing has been arranged at Market Harborough Waterstones, which I'll post more details for when I have them. In the meantime, if the trailer takes your fancy, here are some purchasing details....

Available from Amazon.co.uk here
Available from Amazon.com here

Available from iTunes (UK) here
Available from iTunes (US) here

Available from Barnes & Noble here

Available from Smashwords here

Sunday, 29 April 2012

Rude Dude Films

Although I intend to pull back on the amount of trailers I make now, I've decided that this little ident (featuring my wonderful son) will appear on all of them.

 Rude Dude Films!

Monday, 5 March 2012

Wednesday, 7 December 2011

Coming soon....

..."Fogbound From 5", a new collection from those nice folk at Hersham Horror Books. It features brand new fiction from Alison Littlewood, Adrian Chamberlin, Neil Williams, Peter Mark May and me, with the cover art and design by Neil and myself.

My story "Last Train Home" features a monster dear to my heart and the ending was suggested by Matthew. We were driving one day and I was thinking aloud about what the story could be and he told me how it should finish - and, with a couple of tiny tweaks, I've managed to write what he suggested.

Here's the trailer I produced, ordering details will be coming soon...