Showing posts with label anthology. Show all posts
Showing posts with label anthology. Show all posts

Monday, 8 July 2019

Compass Wood

I'm pleased to announce that The Woods, the latest PentAnth anthology from Hersham Horror Books, edited by Phil Sloman, is being launched at Edge-Lit this coming weekend.  Among a cracking selection of writers, it contains my short story Compass Wood, a dark tale of a man who takes a shortcut, has someone flag him down on a lonely country road and then gets chased into the titular wood.
The sixth anthology in our PentAnth range brings you five more chilling tales that have their roots in the dark terrors that lurk in the woods

The Iron Curve Of Thorns - Cate Gardner

A Short Walk Round The Woods - James Everington

Compass Wood - Mark West

Dendrochronology - Penny Jones

The Teddy Bears' Picnic - Phil Sloman


Just as I came to the end of a draft for the thriller novel I'm working on, Phil asked me to be involved in the latest PentAnth anthology and I immediately said yes.  I like Phil, I've worked a lot with Peter Mark May and HHB in the past and I relished the chance to create something new and, more importantly, short.

I decided to use the concept of the anthology as a key location, since I’ve written a few stories set in and around woods - a big set piece in the thriller takes place there too - and know they can be creepy and unnerving places after dark.  I instantly had two real-life locations to base my fake wood on - an old quarry area in Rothwell called The Folly and a small wood between Kettering and Corby - and once I had them fixed, most of the story came together quickly.  I talked through some ideas with my friend David, went for a walk in the real places to soak up atmosphere (which is where the bramble did, indeed, snag on my laces) and started writing.  The ending was always fixed in place but some of the bits that happen along the way were, quite literally, happy (for me, if not the characters) accidents.

As with the other HHB PentAnth editions (such as the one I edited, Anatomy Of Death), I designed the cover.

The man came out of nowhere.
   One moment, the narrow road curving its way through Compass Wood appeared empty, the next the man was lurching towards the car.
   Reacting quickly, Jason braked and steered onto the grassy verge. Stones and debris battered the underside of the car as the man, tall and wide-eyed, hair askew, turned to follow its progress. Jason drove back onto the tarmac and the brakes caught, the car coming to a juddering halt.
   Jason blew out a breath, heart jack-hammering against his sternum. Nerves tingled up his arms and a horrible cold sweat pasted across his forehead.
   “Fucking idiot,” he said and looked in the rear view mirror.
   The man came towards the car, arms waving above his head like some lunatic capering under the full moon. Although he wore a long overcoat and what appeared to be a shirt and tie, there was something in his expresson - no, in his eyes - Jason didn’t like.
   He put the car in gear and drove off. The man capered on, until the road curved and took him out of sight.


Wednesday, 17 October 2018

Brooks Pond

I'm pleased to announce that The Black Room Manuscripts Volume 4, edited (and curated) by Justin Park & Tracy Fahey, is published by The Sinister Horror Company and launched at FantasyCon this weekend.  As with the other volumes in the series, it's a charity anthology and this time all money made from sales will be donated to Refuge.  Thrilled to be involved - look at that list of names on the cover! - it contains my short story Brooks Pond, a horror tale about four people at a pond in Gaffney which is said to be haunted by a witch.

Some words are born in shadows.

Some tales told only in whispers.

Under the paper thin veneer of our sanity is a world that exists. Hidden just beyond in plain sight, waiting to consume you should you dare stray from the street-lit paths that sedate our fears.

For centuries the Black Room has stored stories of these encounters, suppressing the knowledge of the rarely seen. Protecting the civilised world from its own dark realities.

The door to the Black Room has once again swung open to unleash twenty four masterful tales of the macabre from the twisted minds of a new breed of horror author.

The Black Room holds many secrets.

Dare you enter… one final time?


That Thing I Did - Tracy Fahey

Eating The Dream - K. A. Laity

A Clear Day In A Season Of Storms - Simon Avery

The Hanging Boy - Gary McMahon

Mam's Girl - J. L. George

Tears Of Honey - John McNee

Decipher - Daniel Marc Chant

Tap, Tap... - Marie O'Regan

Black Silk - Benedict J. Jones

Dragged Down - Ramsey Campbell

Palace Of The Damned - C. L. Raven

Brooks Pond - Mark West

Planning Permission - Hannah Kate

Shrivelled Tongues Of Dead Horses - Eric Hofstatter

Death Wish - Margot Halgadottir

Size Isn't Everything - James Everington

Pain Has A Voice - Stephen Bacon

Swimming Out To Sea - Penny Jones

Reanimation Channel - Mark Cassell

Craft Ail - Duncan Bradshaw

Dr Zwigli's Last Paper - Elizabeth Davis

Laurel - Terry Grimwood

Tide Will Tell - V. H. Leslie

The Last Horror Story - J. R. Park

Plus a prologue and epilogue by Tracy Fahey & J. R. Park
Introduction by Michael David Wilson
Afterword by Jim (Ginger Nuts Of Horror) Mcleod


The book is available from Amazon:


This started in February with an email from Tracy Fahey, a great writer herself who also happens to be my FCon disco-buddy, inviting me to contribute a story to the anthology.  Since I hadn't written a short since August 2016 (having spent the remainder of 2016 writing The Factory and all of 2017 working on the thriller novel) and because it's always nice to be asked, I readily agreed.  That night I had the germ of an idea, which quickly fleshed itself out and, all excited, I started work on it the next day, finishing four days later on my birthday.

I thoroughly enjoyed working on the piece, especially since the process neatly fell into the 'fortnight off' I was taking from the novel.  I submitted the third draft to the NSFWG writing group and their enthusiasm for it (and some great comments) bolstered my confidence (so thanks for that, my friends).

How could I ever forget?  The Witches Forest was on the hill outside of town, well off the beaten track and bordered by farm fields.  It was only maybe an acre or so but incredibly dense and if you stood outside of it - as we’d done one summers day - you could see barely twenty feet into it.  Once inside the visibility was shorter, made worse by how closely the trees were packed together.  There were rumours and local legends, as always happens with places like this, but the key one concerned a witch who’d lived in a nearby shepherds cottage and lured many of the children of Gaffney to the forest where she’d performed unspeakable acts on them.
“We went one summer,” Pete said, leaning his elbows on the table and looking directly at Jody, “me, Andy here and three others and walked up and down in that forest all day.  And didn’t see anything.”
“Until it was getting dark,” I said.
Now Jody leaned forward.  “What happened?”
“We were in the middle of the forest,” said Pete, his voice dropping.  The pub noise seemed to go quieter too, even though we had this part of the bar to ourselves.  “We were all knackered, tired and thirsty and sweaty and grumpy as hell.  So we decided to head home but it got dark quick in those trees and pretty soon we were stumbling around in dusk.”
I shivered, remembering the sensation.  Simon glanced at me, nodded his head then looked back at Pete who told the story so well.  “We were disorientated, I mean it should have been really easy to find our way out, you know, it wasn’t that big.  But we couldn’t.  Then we heard someone singing.”
“Singing?” asked Jody.
“Yeah, some kind of old folk song, I’d never heard anything like it.  The five of us were shit scared, though we didn’t admit it to each other.  For some reason, we moved towards the sound and although we tried to be quiet, there was so much wood and bracken about, we made as much noise as a marching band.  But the singing carried on and we came to this weird little hollow with no trees none of us remembered seeing before and someone was in there.”
Jody’s eyes were wide.  Simon was watching Pete carefully, as if waiting for a punchline I knew would never come.



Monday, 15 October 2018

The Taste Of Her

I'm thrilled to announce that Best British Horror 2018, the first in a series of annual anthologies from NewCon Press, edited by Johnny Mains, is now available.  Along with a fantastic collection of writers, it contains my story The Taste Of Her which was originally published in my 2017 collection Things We Leave Behind.  The anthology will be officially launched at FantasyCon this coming weekend.
Editor Johnny Mains has scoured anthologies, magazines, and on-line publications to select the very best horror stories written by British authors. From creepingly insidious tales where the fear gathers slowly to the outright terrifying, from musty abandoned buildings to the wilds of an isolated beach, from yarns of yesterday to contemporary horrors of today: Seventeen tales showcasing British horror at its best.

Paymon’s Trio – Colette De Curzon

Love and Death – Reggie Oliver

In the Light of St. Ives – Ray Cluley

The Book of Dreems – Georgina Bruce

The Affair – James Everington

Fragments of a Broken Doll – Cate Gardner

The Lies We Tell – Charlotte Bond

Ting-A-Ling-A-Ling – Daniel McGachey

Tools of the Trade – Paul Finch

Departures – A.K. Benedict

The Taste of Her – Mark West

Sun Dogs – Laura Mauro

Dispossession – Nicholas Royle

Shell Baby – V.H. Leslie

The Unwish – Claire Dean

A Day with the Delusionists – Reggie Oliver

We Who Sing Beneath the Ground – Mark Morris



Paperback - £12.99

Hardback (signed, limited edition) - £24.99



This was one of two original pieces in my second collection and started life as some notes I jotted down in 2000, based on an image I had of two men in a plane with the pilot asking his ex-friend how his wife tasted.  That was it, there was no ending or purpose and the story sat for a while until Ross Warren asked if I had anything new for the book.  I went back to this and it all seemed to lay itself out quite nicely, coming together quickly.  The flying business came from when Alison's dad got his pilots licence and took the pair of us up in a Cessna a few times, though each journey was much more enjoyable than the one described in the story and the rest of it, thankfully for me, is invention.

It was a real thrill when Johnny wrote to me, saying he loved the story so much he wanted to include it in his Best Of and I'm thoroughly chuffed to be included.

“So how does my wife taste?”
  Startled, Ian Burgess looked at Keith March, who was piloting the Cessna aircraft they were in.  The plane banked right, high over Gaffney.  “What?”
  Keith turned to face him, his smile tight.  “I asked if you liked the taste of my wife.”
  Turbulence hit the little plane and Ian hoped it covered the guilty panic he knew must be showing in his face.  “I don’t know what you mean.”
   “Yes you do you fucking liar.  I know everything.”
  Ian had played poker with Keith a few times and knew he was a good bluffer.  But was he bluffing now?
  “Ian, you’ve fucked Julie and ruined my life.”  He dipped the nose of the aircraft and checked a couple of gauges.  “So for both our sakes, don’t make it any worse by lying now.”


Monday, 9 July 2018

Chihuahua

I'm pleased to announce that In Dog We Trust  edited by Anthony Cowin (to raise money for Birmingham Dogs Home) will be published by Black Shuck Books and launched at Edge-Lit 7 on Saturday 14th July.  It contains my short story Chihuahua, a nasty little tale about a dog attack on an out-of-the-way petrol station in the West Country.

Foreword, by Emma Green

Introduction, by Anthony Cowin

Painted Wolves, by Ray Cluley

Man’s Best Friend, by Gary Fry

I Love you Mary-Grace, by Amelia Mangan

Leader of the Pack, by Willie Meikle

Hikikomori, by Adam Millard

Good Girl, by Steven Chapman

Queen Bitch, by Lily Childs

Chihuahua, by Mark West

Burger Van, by Michael Bray

Mulligan Street, by David T Griffith

A Dog Is for Death, by Phil Sloman


and will be available from Amazon after the launch


I was approached by Anthony in January 2015 and agreed to get involved, though I didn't have the first idea of what to write.  In April, the original publisher Theresa Derwin emailed and copied in the guidelines - reading them again, one line sparked something for me; "And maybe there are pet shops, dog pounds and family homes all on the brink of bloody horror."  What if, I mused, there were people in a building, trapped by the start of the dog problem.  What if they were in a petrol station?  And that was it.  It's taken a while to get here but I'm confident - Steve Shaw is a great publisher and it's a cracking line-up of writers too.

The story has a very small cast.  Ben is travelling to Plymouth from Bristol and long periods in traffic jams mean he needs to refuel.  He pulls over at a run-down independent petrol station next to the town of Trenton (fans of Cujo might like that), where he meets Freddy (the kid behind the counter) and Trisha (who keeps having her card refused by the machine).  When an old couple drive onto the forecourt and a Chihuahua walks across to them, things quickly turn bad.  Very bad indeed.

Although the houses were less than a couple of hundred yards away, [Ben] couldn’t hear anything other than some dogs barking.  At this point in the evening he’d expect to hear lawn mowers or kids playing, perhaps music or the chatter of friends at a barbecue, but there was nothing.  He looked at the shop, which had a row of dumpbins in front of it - firewood, charcoal briquettes, screenwash - and a stand holding two fire extinguishers.  The station seemed to have been lifted whole from the middle of the eighties.  When the pump clicked, he replaced the nozzle and fuel cap, peeled off his gloves and locked the car.
     As he walked to the shop he could hear a steady growling from behind it, like a very pissed-off dog was defending his territory.  The growling got louder the closer to the door he got and he was glad to push through it into the air-conditioned interior.
     A young woman, in low-cut jeans, a skinny t-shirt and bright pink flip-flops was standing at the counter.  She had long blonde hair that fell to the middle of her back, secured just above her shoulders in a scrunchy.  The kid behind the counter looked even younger, tall and gangly with a shock of curly brown hair and a rash of pimples across his forehead.  He wore an Iron Maiden t-shirt under his ‘Trenton Services’ hoodie.
     The shop needed a refit.  The shelving on the central island was old and battered, the items on it priced with little stickers.  The shelves on the wall to his right were filled with maps, newspapers and magazines and no attempt had been made to cover the covers of the top-ones.  Three sun-bleached fridges stood along the back wall, advertising Coke and Pepsi.  Two were filled with drinks, another with milk, sausage rolls and cold cuts of meat.  Ben took out a bottle of water, checked to make sure it was in date and walked to the counter.  The girl seemed to be having trouble with her credit card.
     “I swear that’s the pin number.”
     "Hey,” said the kid behind the counter, “no problem.”
    “There is Freddy, because if this doesn’t work I haven’t got any cash on me.”
    “Trish, relax, we can sort it out.”
     Ben smiled and wondered how long Freddy had had his crush on Trish and whether she knew.  Trish then favoured Freddy with such a bright, winning smile that Ben knew she was very much aware of it.
     Freddy glanced at him.  “Be with you in a minute, mate.”
    Trish turned her head and gave him her dazzling smile.  “Sorry, the machine won’t take my card.”
    "Don’t worry,” said Ben with a smile.  He leaned against the counter and, in the quiet, thought he could hear the dog barking again.  He wondered if Freddy had it in the back as a security measure.
     Movement caught his eye and he looked towards the road as a Volvo pulled onto the forecourt, parking on the other side of the pump that Trish’s KA was parked at.
     “If it doesn’t take it this time, I’ll go and get my Dad,” said Freddy, “he might be able to sort it.  He was only nipping out the back to get some fuel oil, I’m supposed to be heading into town.”

Monday, 3 October 2016

Do You Believe In Ghosts?

I'm pleased to announce that Ten Tall Tales, the latest anthology from NewCon Press edited by Ian Whates, was launched at FantasyCon on Saturday 24th September.  Among a truly wonderful collection of writers, it contains my short story Do You Believe In Ghosts?, a quietly bleak tale about grief, love and what lengths the recently bereaved might go to for one last chance to say goodbye.
cover art by Sarah Anne Langton
Ten tall tales of horror, dark fantasy and dark science fiction, commissioned from some of the most twisted imaginations writing today, as part of NewCon Press' 10th anniversary celebrations. Each story is inter-leafed with a wicked limerick from that master of terror, Ramsey Campbell. 

Introduction – Ian Whates

Ten Twisted Limericks – Ramsey Campbell

The Power Of… – Paul Kane

We Know By the Tenth Day Whether They Live or Die – Simon Clark

One Little Mouth to Kiss You Goodnight – Lynda E. Rucker

The Fruit of the Tree – Maura McHugh

9 + 1 – Michael Marshall Smith

The Book of Sleep – Edward Cox

For The Win – James Barclay

Do You Believe in Ghosts? – Mark West

The Loathing of Strangers – Sarah Pinborough

The Marble Orchard – Andrew Hook


The book is available as an A5 paperback and a dust-jacketed special edition hardback, limited to just 100 copies; each copy is individually numbered and signed by 8 of the contributing authors (Ramsey Campbell, Edward Cox, Maura McHugh, Paul Kane, Simon Clark, Lynda E. Rucker, Andrew Hook, and Mark West)


£12.99 (A5 paperback)
£22.99 (Signed Hardback)


Signing the hardbacks at The Grand in Scarborough, picture by Maura McHugh
from left - Andrew Hook, Lynda E. Rucker, Paul Kane, Simon Clark, Ian Whates, me
For some reason, I now only tend to write short stories when editors ask for them (which is a nice situation to be in, don't get me wrong), so I have a theme to aim for.  The days of me getting an idea and being excited enough to write it on spec are rare but this was just one such occasion.  I wanted to do something with photographs (which I love and take lots of) and the idea of somehow revisiting a love affair through them.  I started writing with no end in mind but when I stumbled over the idea of forums for bereaved partners it kind of worked its way through to a logical conclusion (though my pre-readers got to choose between two very different endings).  When it was finished I had a really good feeling about it, put it into my writing group for critiquing and it went down very well (it's perhaps the best-received piece I've ever submitted) and Ian picked it up then.  He also suggested the title change - my original was Losing Carole Duffin which worked but didn't suggest a supernatural story.



Having lost Carole Duffin once before, I was determined it wouldn’t happen again…

* * *

The funeral took place on a wet Thursday afternoon, the mourners huddling under black umbrellas as if repelling an attack.  I stood with a couple of old school friends, listening to the rattle of the drizzle over my head, trying but failing to catch the vicar’s words.
   Although I’d known Carole for over thirty years and we’d been boyfriend and girlfriend in the Sixth Form at Gaffney Tech, our current relationship was only a few months old.  She’d divorced her husband due to his insistence on getting other women pregnant, though I could see him standing beside the open grave, tears and rain water running down his cheeks.  My own marriage had also fallen apart, work pressures tearing into a bond that I once thought unbreakable.   It had been acrimonious and unpleasant, the worst six months of my life and I seriously doubted my ex-wife would have been standing at my graveside crying.
   Three months, two weeks and a handful of days.  A chance encounter on Facebook led to late night messages, an understanding of the emotional landscape and then a tentative meeting, exchanging pleasantries over the clatter of cutlery and crockery at the café.  A realisation that we could make this happen and suddenly I was a teenager again, asking if she’d like to go on a date.  A meal at the local Italian, a trip to the cinema, holding hands on the back row and, later, a kiss in the car as I dropped her off.  Things seemed to speed up after that and we spent as much time together as possible, making love as if trying to make up for the lost years. 
   I was the happiest I’d been in years and Carole told me she felt the same.  We’d been brought down by divorce but had found each other again in the process and things were going to be different this time.

* * *

We’d had a lovely evening.  She came to my flat, I cooked spaghetti and made garlic bread, we listened to 80s music and laughed, danced in the kitchen and made love.  Normally she’d have stayed over but as she had an early meeting we dozed in each other’s arms before she got up at 2am and left.  I waved her off from my window - we blew kisses and promised to phone the next day.  I never saw her again.
   I didn’t know anything was wrong until the following midday when she didn’t answer her phone.  I rang, on and off, until the early evening and when I still didn’t get an answer, I went to her flat.  Her friend Annie answered the door, her eyes red and puffy from too many tears.
   “Oh Martin,” she said and began sobbing, pulling me into a hard embrace, “you were on my list to ring, but I didn’t know what to say to you.”
   “About what?  What’s wrong, Annie?”
   “It’s Carole.  Last night, a drunk driver.”
   “She wasn’t drunk, she hadn’t…”  I stopped and prised myself away from Annie, holding her shoulders.  “Where is she?”
   Annie took in a deep, hitching breath and silent tears rolled down her cheeks.  “She’s gone, Martin.”


Monday, 29 August 2016

The Order Of Aries

I'm pleased to announce that The Thirteen Signs, edited by Dean M. Drinkel, was published by Nocturnicorn Books whilst the blog was on holiday.  It marks the seventh time I've worked with Dean and my story, The Order Of Aries, is the fourth adventure for my recurring character Mike Decker (who also appeared in The Zabriskie Grimoire, The Penthouse Incident and This Is The Colour Of Blood)

Foreword, by Alex S. Johnson

Introduction, by Dean M Drinkel

The Order Of Aries, by Mark West

Come Join The Blood Parade, by Lily Childs

Seven For Eight, by Romain Collier

Carapace, by Raven Dane 

Leo, by Tim Dry

Solomon Carson And The Death Of A Virgin, by Trevor Kennedy & Robert E. Tate 

Leeber, by Christine Dougherty

The Scorpion Dance, by Amelia Mangan

One in Twelve, by Steve Byrne

A Sorrow Of Sweet Pipings, by Jan Edwards

Ganymede, by Emile-Louis Tomas Jouvet

Hooked, by James Everington

Worshipping The Snake, by Dean M Drinkel


The book is available from Amazon UK

paperback edition - £9.48

Kindle edition - £3.48

I enjoy writing the Decker stories but felt that, in keeping with the pattern they'd developed, I'd allowed them to become a bit 'flashier' than they should be, so decided to go back to basics and write a mean and dirty little tale.  Having said that, Decker does get to enjoy himself as he describes what he does: "I am an acquirer, a finder of items lost or hidden and although it’s an occasionally dirty job, I am well paid for it.  I take my job very seriously and I expect other people to do the same.  I once had a meeting with a smug CEO of a social media company who compared me to a personal shopper and I’d punched him in the face before he could laugh."

Dean approached me last December and, when I agreed to be involved, assigned me the Aries starsign.  I don't pay much attention to astrology (and I'm an Aquarius anyway) so I looked the sign up, found it was most readily associated with a goat and had the key image before I got home that night.  A few days later, Dean & I were talking and he mentioned it might be nice to see another Decker story and that sealed it.

As I mentioned before, I've made some changes to the Decker blueprint (especially having him eat at a burger van at the start), removing the black comedy that ran through Blood and making the character suffer badly when he's tortured at one point (in what is, hopefully, a grim little sequence).

The Order of Aries made its headquarters in a nondescript 70s semi-detached, located in a quiet cul-de-sac on a large housing estate.  It was three hours since I’d been to see Maddie when I parked across the road and turned the engine off.

It was quiet.  There were no pedestrians, no dogs barking and very few cars parked on driveways.  I wondered how many of the net curtains would be twitching with my arrival.

I got out and crossed the road, heading for the house.  The front garden had been paved over and there were oil splashes on it, as if people used it for parking.  A driveway ran up the side of the house towards the garage, dotted with more oil splashes.  The house was double-glazed, the plastic frames sun-bleached but tidy and curtains were drawn at all of the windows I could see.  The front door had two panels of frosted glass and through them I could make out the shape of a coat rack but nothing else.  I tried the door handle but it didn’t move.  I took the multi-tool out of my pocket, selected a blade and inserted it into the lock and then I was in.

The hallway was cluttered.  A staircase ran up to my left and, across the way, was an open door. Alongside the stairs, a narrow corridor led to a kitchen.  The house was silent and smelled of curry.  I went through the open doorway into a lounge, which had a sofa and two chairs, a large TV and a games unit.  Several pizza boxes were littered around and other detritus it was difficult to see in the poor light.  Over the fireplace, on the wide chimney breast, was a large painting and it took me a moment or two to recognise it as Goya’s ‘El Gran Cabrón’. or ‘The Great He-Goat’.  The lounge and dining room had been knocked into one and I turned to the back of the house where a big dinner table commanded the space.  It was covered in papers and several closed laptops and on the cupboard behind it were several large monitors, which must have been at least ten years old and a cardboard box full of keyboards.  I went through to the kitchen and every surface I could see was covered in piles of papers, even the hob.  I opened the fridge and saw a large cake box, three 4-pint containers of milk, a lot of cheese, two packs of butter and two pizzas.  The whole thing stank of meat.

Closing the fridge I noticed another door, pushed it open and stepped into an empty garage.  In the middle of the floor was a large trapdoor with a big ring pull on it, which seemed very out of place.  I wasn’t aware of any houses of this era having cellars.  I pulled it open and heard the hush of seals coming apart then the scent of rotting meat hit me like a slap.  I could hear a murmur of voices but not what they were saying.  I pulled the door up and over to the side, laying it carefully.  A stairwell went down, simply built and enclosed by a studded wall.

The voices were still talking, so I assumed they hadn’t heard me and I went down the steps slowly.  Birds had been nailed to the exposed beams, crows and pigeons mostly and while the ones nearest the entrance were clearly fresh, the last couple were dessicated.  I paused on the bottom step, trying to get a fix on where the voices were.  Ahead, the cellar wall had been plastered over but it was coming away in places, revealing the dark earth behind it.  I couldn’t help thinking that all of this had been excavated recently.

I decided the voices were to my left and risked a quick glance around the plasterboard.  The cellar stretched further than I’d been expecting, almost as if they’d gone under next door too.  There were a dozen or more support posts, some of which blocked my view, but I could see three people standing around something with their backs to me.  I couldn’t see what they were looking at and decided I wanted to.


Wednesday, 20 July 2016

The Exercise (a novella)

I'm pleased to announce that the latest anthology from Terry Grimwood's The Exaggerated Press, Darker Battlefields, was published this past weekend and launched at Edge-Lit 5 (see my report here).  Edited by Adrian Chamberlin, it's a collection of six novellas set during periods of war and features my 18.5k word story The Exercise.

Odette, by Richard Farren Barber

The Searing, by Paul Edwards

Winter Storm, by Anthony Watson

The Envious Siege, by Adrian Chamberlin

The Exercise, by Mark West

Descensus Christi Ad Inferos, by Dean M Drinkel


The book is available in print 


This all started in late January 2015 with a message on Facebook from Adrian and Frank Duffy, asking if I'd like to be involved.  Since I've never written a story set during a war and I fancied the challenge - plus Terry produces some lovely books - I agreed.  I came up with the basic premise (soldiers on exercise during World War 2 who find themselves trapped in a building) on that evening's walk and then sat down with Mum & Dad a few evenings later, spending a lovely hour or so chucking around ideas (Dad is a WW2 buff so he was able to answer every technical question I raised, whilst Mum reminded me about the reeds in east Anglia and suggested having someone fall in a stream).

Once I decided to use shell-shock as a means of 'making my monster', I researched it on the web (and discovered that, by 1943 - when my story is set - it was being called "post concussional syndrome") and found some unsettling and distressing films on YouTube.

As a couple of little in-jokes, the hero is called Ray Ward (my Grampy, who served in WW2, was called Ray - I blogged about him here) and the Major who runs the operation is Desmond Boothroyd (I was watching a lot of Bond films at the time).  I also homaged Star Wars, when Major Boothroyd paraphrases Luke by saying "Well, my boy, if there’s a bright centre to operations in this country, you’re at the point it’s furthest from and that would be about three miles east of Potter Heigham.”

I had a lot of fun writing this and set myself the goal of not having any viewpoints (apart from the first chapter) other than Ray - if he doesn't see it or hear it, the reader doesn't either.  It made things tough a couple of times, but I also think it adds to the disorientation when the bad stuff starts to happen, because you're not quite sure what it is you're seeing.  I enjoyed writing the action, I enjoyed the camaraderie of the squad, I loved my monsters and the set-piece in the infirmary - which my friend David managed to make even more vicious with some helpful comments - was great fun to work on too.

Corporal Ray Ward stood at the verge at the crossroads and watched the truck drive away, three squads still sitting in the back and looked at his own men.  His lance corporal, Joe Kelly, stepped up next to him and turned to the squad.
“Right, fall in you lot, first things first, let’s get off this fucking road.”
The men fell into line as Ray surveyed the area.  Across the road was an orchard, the trees widely spaced and heavy with fruit.  The easterly road, coming off the crossroads, cut between it and, a hundred yards down, there was a gateway.  “Down there,” said Ray, pointing, “it’ll get us out of sight.”
“You heard the corporal,” said Joe, “let’s move it.”
The squad fell into step and marched down the road, the noise of their packs and weapons scaring a flock of crows that took off from the trees.  The gate was old and bent, secured to its post with some old rope and beyond it was a concrete yard and the  remains of a stone-built barn.  Ray climbed over the gate and the others followed him into the trees.  The light was muted, the angle of the sun not enough to cut through the foliage and in the first clearing, Ray shouldered his pack to the ground and rested his rifle against it.
 “At ease, boys,” said Joe and waited until they’d taken off their packs before moving to Ray’s left side.  “Fall in.”
Ray surveyed his squad.  He’d only met them last week, at the start of training at Thetford camp and, like most of the other corporals, had thought at first it was a joke.  Fresh off the trucks, the men were given a number and told to stand in the PT yard and over the next couple of hours, as more trucks rolled in, more soldiers gathered until there were five men in each group.
For reasons that weren’t explained, the exercise would consist of five-man squads, smaller than the normal minimum of eight.  Each squad would be led by a corporal, assisted by a lance corporal.
It had been a hard week, for many reasons, but Ray felt quite confident with his men, though Joe Kelly was his secret weapon - perhaps ten years his senior, he had a lot of experience and an authority that made the men listen.  Ray liked him and they seemed to have a mutual respect.
Arthur ‘Gracie’ Fields was the designated navigator.  Tall and thin, with Groucho Marx glasses and sandy hair, he was good-humoured but quiet.  He knew his way around a map and had found the way out of a dense wood for the squad in one of the Thetford exercises - by such a margin that the other squads were sent back in to do it again. 
Alan ‘Porky’ James was balding prematurely though he appeared to be barely into his twenties and so only a few years younger than Ray.  Stocky, taciturn and as hard as nails, he was the radio operator and carried the unit on his back, the antennae waving over his head.  It took Ray a day or so to realise he was called ‘Porky’ because he came from Melton Mowbray.
The last member of the squad was Danny Price, known as ‘Half’.  Tall and handsome, he had the look of Clark Gable and made full use of the resemblence.  It was alleged, during mess break one day, that if Half was posted somewhere for more than a day, he’d find a girlfriend there.  Quick witted and sharp, he was adept at getting things for less than market value, a good skill for the squad.
“Okay boys,” Ray said, “this is the situation.  We’ve had a week of training, a week of getting to know each other and I think we’re going to work together well.  I don’t know any more about the exercise than you do, but I do know I don’t want us to get caught and sent back to Thetford for spud bashing.”
A murmur of agreement.
“What time do you have Joe?”
The lance corporal looked at his watch.  “Oh-eight-fourteen.”
Ray checked and nodded.  “Check your watches men,” he said and waited until they had done so.  “First things first, we need to find out where we are.”
“We’re east of Thetford,” said Half.
“How far?” asked Joe.
“We left barracks at oh-seven-hundred,” said Ray.
“We got here about oh-eight-hundred,” said Half, “so call it an hour.”
“But we had three drop offs before us,” said Gracie, “about five minutes each time.”
“Good point,” said Joe.  “If we assume an average of 40 miles an hour, that gives us forty miles, less the fifteen minutes for the drop-off.  I reckon about 30 miles, give or take.”
Ray looked at Gracie.  “Give us a rough idea,” he said.
Gracie pulled a large, folded map from his pocket, knelt down and spread it on the ground.  Half and Porky knelt on either side of it, holding it down and Ray walked around so he could see the details.
Gracie put his compass on the map.  “We maintained an east-northeast route for the most part, so thirty miles would put us east of Norwich, though we could be as far south as Loddon and as far north as Wroxham, depending on the angle.”  He pointed to both places on the map and people nodded their assent.
“Did you hear the co-ordinates from Sergeant Lloyd?” asked Ray.
“Yes corp,” said Gracie and checked the gridlines.  “We’re getting picked up at a place called Happisburgh.”
“Anybody heard of it before?” asked Joe but nobody had.
“What’s the distance between us, assuming we’re the southern end of where you estimated?”
“If we’re near Loddon, we’re looking at about thirty miles.”
Ray turned to Joe, who bit his lip as he worked it out in his head.  “Pick-up’s at oh-six-hundred tomorrow, so we’ve got twenty two hours to do thirty miles.”
“We need to sleep though,” said Ray, “just in case they hit us with another exercise tomorrow.”
“Okay, five hours sleep gives us seventeen hours to do thirty miles.  Piece of piss.”
“It doesn’t seem so bad,” agreed Ray.  “They’ll probably have plenty of patrols out, trying to spot us.”
“No doubt,” said Joe, “meaning it’s thirty miles across country.”
“Which is going to take longer,” said Gracie.
“Fine,” said Ray and stepped back to face the squad.  “We know what we’re doing, let’s have a piss stop and then get moving.”
As the men moved into the treeline to empty their bladders, Ray held Joe back.  “Listen, I don’t plan to use this, but just so as you know,” he said, “just in case.”  He opened his pack and pulled out a 38 Webley revolver.
“Nice,” said Joe.
“I picked it up off a dead officer at Dunkirk.  It did me proud then and I’m more than happy with  it now.”
“Fine by me,” said Joe.
They went to pee and by the time they got back, the men had pulled on their packs and rifles and were waiting.
 “Plot us a course Gracie,” said Ray.
Gracie checked his compass and at eight-thirty exactly, with Joe on point and Half bringing up the rear, the squad began to walk through the orchard, away from the road.

Tuesday, 29 March 2016

Deb Loves Robbie

I'm pleased to say that "Easter Eggs & Bunny Boilers", the anthology edited by Matt Shaw, was published as an ebook exclusive on Easter Sunday.  It's my first time working with Matt, I'm part of a terrific ToC and the book features my story "Deb Loves Robbie", a tale of bad families, love and resurrection.
Matt Shaw invites you to learn the true meaning of Easter. Yes. That's right. Easter. Learn the true meaning of Easter in this anthology featuring some of the biggest names in horror right now with authors from across the globe. 

Come, take his hand, and experience demented rabbits, chocolate obsessed children drowning in their own greed, serial killers, resurrection and more in this collection guaranteed to kill the cravings of your sweet tooth. 


Introduction from Jim Mcleod

Desserts, by Matt Shaw

Bastard Bunny, by David Owain Hughes

He Is Risen, by Duncan Ralston

The Chickens And The Three Gods, by Kit Power

Wicker Baskets, by Kindra Sowder

My Last Easter, by Jack Rollins

Lepus, by Stuart Keane

Little Bunny, by Glenn Rolfe

Run Rabbit, Run, by Michael Bray

When A Bunny Snaps, by Jim Goforth

Help Me, by Neil Buchanan

Educating Horace, by Matt Hickman

Deb Loves Robbie, by Mark West

Tradition, by Kyle M. Scott

Hey-Zeus, by Duncan P. Bradshaw

Feldman’s Rabbit, by Rich Hawkins

On The Third Day, by Graeme Reynolds

Easter Eggs, by Chantal Noordeloos

Easter Hunt, by J R Park

The Jesus Loophole, by Luke Smitherd



The ebook is available from 



Having 'almost' met Matt at FantasyCon in Nottingham last year (we saw each other but didn't get a chance to speak), I friended him on Facebook and he wrote back that same day, inviting me me into this anthology.  I liked the concept, I liked the style (Matt works towards the more extreme end of the horror spectrum and whilst I don't so much these days, it was interesting to head back over there briefly) and so I signed up immediately.

The story had to be about Easter and I got the opening line 'The Easter Bunny killed Deb Swales' straight away, with the opening of the story coming out during that evenings walk.  More ideas slotted into place as the week (and evening walk miles) went by and watching "Psycho" on TV added the finishing touch.  I enjoyed writing this - though some of the research was a bit unpleasant - and I'm pleased to have written a tale that's honest, loving and very grim.

This time he hit my ear and the thud deafened me.  I went down, my right temple hitting the slick concrete.  I watched three pairs of trainers come towards me, felt someone grab the collar of my jacket and pull me up.  A kick landed in my ribs and I felt something crack.  Another kick caught my right shoulder, jarring my arm in the socket.  Gary punched my forehead and I closed my eyes, tried to bring my hands up to protect my face.  More blows rained on my arms and chest, more kicks hit my thighs and shins.  Someone kicked me in the groin and blackened lightbulbs flashed across my field of vision, slowly turning red.  Something ran into my eyes, blinding me.  Another punch, another kick, another horrible cracking sound.

More black lightbulbs and then nothing.

I woke up in hospital.  The first thing Deb said, after telling me she loved me, was that she’d lied to the doctors and said I’d been mugged.  Her brothers beat me until I looked like a rag doll, then threatened her that if she told or was seen with me again, they’d fix her.  She rang an ambulance from the pub and said everyone in there knew who she was but none of them offered to help.

The sovereign rings had done some damage but the pretty nurse who stitched me up did a good job and my broken ribs were taped.  What nobody could fix was the damage done inside my head.

The doctors said I’d suffered a TBI, or Traumatic Brain Injury.  I wanted to crack that old joke, the “what brain?” one, but I couldn’t find all the right words and they said that was to be expected.  TBI damage can be wide-ranging, they said and vary a lot.  They told me I could have physical effects, like balance problems and headaches and dizziness, or my thinking and behaviour could be badly affected.

Was I sure, they asked, that I didn’t know who’d done it?  I took one look at Deb and the panic on her face - for me, for her, for us - and said no.

When I was released, Deb and I moved into the flat and neither of us spoke to our families.  We laid low, to avoid the world for a while and lived our lives as I slowly built my strength back up - though I found it harder and harder to remember how to fix even the most simple of things at work.

Monday, 14 March 2016

Photograph Of You

I'm pleased to report that "Tales From The Lake vol. 2", from Crystal Lake Publishing, edited by Joe Mynhardt, Emma Audsley & R.J. Cavender, has just been published.  It features my story "Photograph Of You" and I'm chuffed to be in an anthology alongside so many great names (I mean, seriously, look at that line-up!).

The second installment in the annual Tales from the Lake anthologies. 
This non-themed Dark Fiction anthology plunges the reader into worlds filled with serial killers, ancient gods, vengeful rednecks, cowboys, elevators, forests, lakes, frozen ponds, hell-bound elevators, and much, much more. 

Foreword, by Joe Mynhardt

Lago de los Perdidos, by Jim Goforth

Out of the Woods, by Ramsey Campbell

Winter’s Dollhouse, by Rena Mason

The God of Rain, by Tim Lebbon

A Grand Perversion, by Ben Eads

Bone Wary, by Jan Edwards

Photograph of You, by Mark West

St. Thomas of El Paso, by Lisa Morton

Forever Dark, by Jonathan Winn

Ripperscape, by Vincenzo Bilof

Descending, by John Whalen

Virtuoso, by Hal Bodner

Chalk Face, by Raven Dane

Like Disneyland, by Rocky Alexander

Prime Cuts, by Glen Johnson

The Lake is Life, by Richard Chizmar

Damned if You Do, by Jack Ketchum

The First Header, by Edward Lee

Love Amongst the Redback Spiders, by Aaron Dries


The book is available as an ebook only at the moment (print to follow) from Amazon


Amazon US


When Joe Mynhardt got in touch with me during summer 2014, inviting me to contribute to this anthology, I was excited to be part of such a cracking line up.  My heart attack meant I missed the original deadline but he was kind enough to hold my place and give me some extra time.  When I came to start writing I initially drew a complete blank, which panicked me somewhat and I spoke to Steve Bacon about it (hence the story is dedicated to him).  We brainstormed some ideas and one of them - "A woman finds a series of weird photographs that get progressively more frightening" - really sparked with me and I was finally off.  As it was, the writing was quite a painful process (the first half took a fortnight, the second half a matter of days), stemming from my fear I couldn't do it and the fact that I was holding Joe up (though he was a delight all the way through).

The story features Cindy, heavily pregnant with her partner Steve's baby, who is fretting that he might be playing away.  Looking through some photographs she'd taken of him in the park, she is surprised to see that in one of them he's talking to a woman Cindy hadn't seen on the day

Her mobile buzzed as Cindy was waiting for the kettle to boil.  She put her travel-mug on the kitchen counter, delved into her bag for her phone and looked at the display.

"Morning Angie,” she said.

“Hey, how’re you?”

“I’m fine, just waiting to make my coffee then I’ll be off.  Why, what’s up?”

There was a pause.  “Nothing, just checking.”

Cindy took a deep breath, making it loud enough that Angie could hear.  “I’m fine, honestly.  I look like the side of a house, but I’m fine.”

There was another pause and Cindy thought she heard Angie draw breath, as if she was going to say something.  “Is everything okay Angie?”

“Yep, no problem, I’ll see you at work.”

“Okay.”

Frowning, Cindy closed the call.  Her phone wallpaper was a selfie she’d taken on a beach in Devon, with her too close to the lens and Steve behind her, his eyes wide and his big grin partially hidden.  It always made her smile - photographing him made her smile.

She pressed the gallery button.  They’d been to the common at the weekend and she’d left her camera at home but had taken several with the phone - a good substitute but not in the same class as her Nikon.  The first picture was Steve standing at the pond, throwing lumps of bread at ducks and swans that weren’t interested at all.  The next photo was another selfie, but it was unfocussed and she seemed to have at least three chins.

"Not the most flattering,” she said.

The third picture was Steve walking towards her, a big smile on his face.  He’d taken a call, standing well away from the trees to get a better signal and she’d walked on a little way.  The last picture was him in the distance, his back mostly towards her, the phone pressed to his ear.

Cindy looked at the photo, looked up at the kettle as it clicked off, then back at the picture.  The woman was standing right in front of him and they were clearly talking to each other.  She was blonde, her curly hair blown by the wind, her eyes wide, her mouth a thin line.  She was wearing black boots, a knee-length skirt and a black jacket she was hugging to herself.

Cindy didn’t remember seeing a woman standing with Steve when she took the photo.

Who was she?

Monday, 8 February 2016

This Is The Colour Of Blood

I'm pleased to say that "Chromatics", the new anthology edited by Dean M. Drinkel, has just been published by Lycopolis Press.  It marks the fifth time I've worked with Dean and my story, "This Is The Colour Of Blood", features the third adventure for my recurring character Mike Decker (who also appeared in "The Zabriskie Grimoire" and "The Penthouse Incident").

Table Of Contents

Introduction by John Gilbert

The Sand Was Made Of Mountains, by Anthony Cowin

The Black God, by Paul M Feeney

Beige, by Martin Roberts

The White Room, by Raven Dane

Restoring Scarlet, by Dave Jeffery

Xanthos, by Wayne Goodchild

Born From The Greens, by Zak A Ferguson

The Spiritual Room, by Christopher Beck

This Is The Colour Of Blood, by Mark West

Anthropocene, by Charles Rudkin

Dans Le Rouge Du Couchant, by Dean M Drinkel



The book is available in print from Amazon

Amazon UK 

Amazon US

more details about the book can be found here

I like writing the Decker stories and they've now developed a bit of a pattern, which is quite fun to write to and this time round he describes himself thus: "I’m an acquirer, a finder of items lost or hidden and although it’s an occasionally dirty job, I am well paid for it.  I take my job very seriously and I expect other people to do the same.  I once had a meeting with a c-list celebrity who compared me to a personal shopper and I’d broken his jaw before he finished his sentence."

Dean got in touch with me in late July, when I was working on my novella "The Exercise".  I had the basic idea by the time I got home that night and the rest of it worked out over the next couple of evenings walks, then put it to one side until I was free to work on it.

When I got the idea for damaging Decker's beloved car, it was Dude who provided me the make and model, though when I Googled it I realised a certain plot point wouldn't work (though said research did lead me to something else, which strengthened the story, so that was good).  I also included a bit of an in-joke, in that the man who hires Decker - a powerful Russian called Krasniy - had two baddies, who I decided to name Drax and Chang.  Further on the Bond front, I watched "The Living Daylights" as I was writing this and it occurred to me that Decker might look like Timothy Dalton.  I haven't ever described him, but I think that's the mental image I'll have from now on.

The job seemed simple and that should have been my first warning - in my line of work, simple often ends up being a lot of trouble.

I met the Russian at The Glades, a central London restaurant so exclusive you need references to get in.  The dining room was a monument to the Victorian era, with plenty of wood panelling and a very high ceiling.  It was early afternoon, most of the tables were occupied and there was a well-heeled hum about the room, as people ate and chatted quietly.

The Russian and I were sitting in a booth, his goons two tables behind me.  One was short, thin and bespectacled, an IT technician clothed by Armani and the other was Eurasian, big and wide, looking like a Sumo going for an interview.  Both had watched me come in, neither had spoken.

“You must try the foie gras,” said the Russian, as he signalled the maître d', “it is wonderful.”

A waiter arrived, put down two small plates of foie gras with mustard seeds and green onions in a duck jus, then left.  The Russian used his fork to break off a bit of the pate and put it gently on his tongue, as if enjoying the sensual delight.  “You are wondering why I asked to see you?”

I took a little of the foie gras and he was right, it was wonderful.  “I assume you need my service.”

The Russian smiled.  “Indeed, I have heard good things about you.  Do you know who I am?”

“I do, Mr Krasniy.”  Following his army service, Anatol Krasniy had embraced perestroika and soon had his fingers in a number of pies.  Through friends, he was involved in one of the loans-for-shares programs, quickly developed a healthy portfolio of shares in various oil companies and now his business dealings were extensive and far-reaching.  He made his base in London.

"Very good.”  His English was perfect, if heavily accented.  He was lean and long faced, with a pale complexion and grey eyes that looked dead.  His hair was silvering at the temples and there was a small scar on his forehead.  His claret coloured three-piece suit was well cut.

“I have a daughter, a good girl, she kept out of the family business and lived in Moscow.  Last year, she came to London, got involved with the wrong crowd.”  He paused and smiled, as if aware of the irony in his comment and made a shrugging gesture with his large hands.  “She is with child and now she has gone.”

“Back to Moscow?”

“No, here in London.  She was living with me, on a separate floor so she had her own life.  I only wanted to protect her, to give her and my grandson the best start.  Is that really so wrong?”  He didn’t wait for an answer.  “She went, last week, with no warning.  I had her tracked to a house in Stamford Hill and I want her to come back.”

“If you’ve tracked her, why didn’t you get her then?”

“Because she is very pregnant and I didn’t want the private dick to manhandle or frighten her.  I daren’t risk her life or that of my unborn grandson.  I need a professional to bring her in.”

“I’m not a babysitter, Mr Krasniy.”

He smiled but it didn’t reach his eyes.  “Nor am I, Mr Decker.  But you have a reputation, you have a style and I think you could help.”

I finished my foie gras and wiped the corners of my mouth with the heavy linen napkin.  “Just to bring her home?”

“Yes,” he said and gestured towards the goons.  “Drax and Chang will give you the details of her location.”  He finished his foie gras and wiped his mouth.  “But I must insist no harm come to her.”  He looked at me.  “No harm at all.”

The waiter came back, cleared our plates away and replaced them with two more.

“I can get your daughter safely, Mr Krasniy, for my usual consideration.”

He nodded, looked at his plate and smiled broadly.  “Ah, carpaccio with arugula.”