"The Lost Film", available in a limited edition (100 copies) paperback and as an ebook, will be officially launched at FantasyCon in Nottingham, 23rd-25th October 2015.
The pre-order link is here and for a limited time, the paperback is available for £9.
"The Lost Film"
by Mark West
Gabriel Bird is a private detective. He’s been hired to track down Roger Sinclair, an exploitation film-maker who disappeared in 1976, having just completed his last film. Long since lost, “Terrafly” was reputed to have an adverse, often fatal effect on those who watched it. Sinclair’s producing partner, Sorrell Eve, is concerned that the film is about to appear online and wants to make sure it stays lost forever.
As Bird closes in on his target, strange incidents begin to happen to those around him and when he’s offered the chance to watch a clip of “Terrafly”, things turn very dark indeed.
A modern detective story, filled with rich detail of the low-budget heyday of British exploitation films, this will ‘pull you into a dark cinematic nightmare’.
“An impressive, imaginative flight of fancy. Mark West has cunningly woven the exploitation movie industry of the 70s that I experienced into a bizarre private eye yarn and thrown in sex, the supernatural and more besides. It hooked me from the first page to the final, mind-bending fade-out”
- David McGillivray,
screenwriter of "House of Whipcord", "Frightmare", "House Of Mortal Sin" and "Satan's Slave"
"Lights, camera, action...Mark's West's lost film novella will grab your soul by the sprocket holes, pull you into a dark cinematic nightmare, and then re-edit the way you look at the world. Experience it at your peril."
- Gary McMahon,
author of “Pretty Little Dead Things”
|A Monochromatic in Central London, 1976
I wrote my first draft from Tuesday 7th September through to Monday 29th November 2010 and it was 52,547 words long whilst the final revision, which I did earlier this year, ended up at 46,912 words. I had great fun writing it and there was a lot of research involved - both the era and British exploitation films of the 60s and 70s - but I loved weaving true facts into the fictional ones I was littering the manuscript with. Plus I got to read a lot of crime thrillers to get 'the voice'.
Although it's taken a long time to get here, I've had a great time working on this and I can't wait for it to make its own way into the world!
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