So here we go.
Collins Hardback First Edition (printed between 1969 and 1971), cover art by Roger Hall |
A room full of clocks
and they all scream…why?
A new mystery for
Jupiter, Pete and Bob to unravel but they haven’t much to go on - a torn
message in code, a recording of Bert Clock’s glass-shattering scream and the
theft of several valuable paintings - a thin collection of clues and time is
running out…
A great illustration inside Headquarters, as Bob, Jupe and Pete try to crack Bert Clock's riddles |
Sorting through some junk that Uncle Titus has just brought
in, Jupe plugs in an electric clock and it screams at him, bringing his
colleagues running. Deciding that a
screaming clock is a good start to a mystery, the boys try to track down where
it came from and the trail leads them to the home of Bert Clock, once a
voice-actor on radio famous for his ear-piercing screams. But Clock has gone, presumed dead, leaving his house cared for
by Mrs Smith and her son Harry. Harry's
father is in prison, jailed for a theft he didn't commit and when an old
adversary of the Three Investigators - not to mention a handful of ruthless
criminals - enters the picture, it suddenly seems that the clock might hold
clues to not only his innocence but to lost treasures too. The boys, with Harry's help, must solve
Bert Clock's riddles before time runs out!
With a fantastic opening line - “The clock screamed” - this
is a great story and whilst not as sensational as other entries in the series,
it is thoroughly entertaining. Playing
to Robert Arthur's strengths, this sticks resolutely close to home (following
the trip to Varania in the previous book) and takes full advantage of the
Junkyard, Headquarters and the sunny climes of Rocky Beach and Los
Angeles. Arthur plots a solid mystery
and the boys detecting skills are showcased perfectly, though some of the clues
do seem to rely heavily on chance.
Characterisation is first rate and it’s good to see Hugenay again (after
“The Mystery Of The Stuttering Parrot” - it’s a shame he never appeared
again), though his adversary Mr Jeeters is a surprisingly nasty piece of work
(especially with the threats he makes to Jupiter and Bob). As always with Arthur, there's a tinge of
poignant nostalgia (in this case, the golden-era of radio plays) but that gives
the story a bit more heart. With some
well written action sequences, nice interplay with the lads and two footnotes
to previous cases, this is a thoroughly enjoyable read and definitely one of
the better entries in the series. Highly
recommended.
the Armada paperbacks, both with cover art by Peter Archer left - format a, printed between 1971 and 1979 - right - format b, printed between 1980 and 1985 |
The internal illustrations for the UK edition were drawn by Roger Hall.
Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)
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